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From a creative perspective HDR is all about enabling technology that offers a far broader, deeper palette of light, detail and color to work with.
Award-winning Dutch DJ/Producer Hardwell has been a driving force in the global music scene for over a decade, rising to become a household name in the world of dance music. Guided by his long-term collaborator, world-leading studio designer Jan Morel, Hardwell has recently upgraded his private studio in Breda, replacing his original Genelec 1034s with the next-generation 1234A Smart Active Monitors.
Colombian state owned television station Canal 1 relies on Blackmagic Studio Camera 6K Pros to capture the weekly interview show “1 a 1” as well as the daily cooking show “Tú Tienes la Sazón.” Canal 1 also uses DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software to edit and grade the shows, which not only air to a national broadcast audience but are also made available on the station’s social media platforms.
As engineers and technologists, it’s easy to become bogged down in the technical solutions that maintain high levels of computer security, but the first port of call in designing any secure system should be to consider the user and their interaction.
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
As part of the “Ü6 Renewal” project, Studio Berlin has replaced its long-standing Ü6 HDTV outside broadcast (OB) truck, in service since 2006 for countless TV productions, with a modern, permanently installed control room at its Hamburg facility. Central to this new control room are innovative AoIP solutions from Lawo, combined with a RAVENNA network, significantly streamlining workflows, and greatly increasing production flexibility.
Over the past 15+ years, Zixi has become a trusted leader in live IP video delivery and orchestration technology, evolving from a pioneering protocol to a comprehensive platform with a who’s who list of clients including Amazon Prime Video, Bloomberg, Fox, Fubo, MLB, NFL, Roku, Sinclair, Sky, Warner Media and YouTube TV.
The old broadcasting adage: ‘if it ain’t broke don’t fix it’ is no longer relevant and potentially highly dangerous, especially when we consider the security implications of not updating software and operating systems.
