DPA Microphones is moving into the wireless market with the release of its new N-Series Digital Wireless Microphone. A fully digital, true diversity wideband solution, N-Series delivers DPA’s well-known sound quality in a robust and easy-to-operate format that is well-suited to a wide array of live, house of worship and corporate events as well as installed systems applications. In addition to the dedicated wideband capabilities available with each N-Series device, the extreme flexibility of the solution makes it an invaluable investment for live event rental companies.
A discussion of the rise of remote production, why OB workflows remain first choice in tier one production and the emergence of new hybrid workflows.
The Blackmagic URSA Cine 12K LF Body is a version of the camera that has all the quality and features of the URSA Cine 12K but excludes many of the accessories. This body only model is perfect for experienced cinematographers and rental houses who already have the accessories they need to rig their cameras.
Blackmagic Design’s URSA Cine 12K LF digital film camera was recently added to the Netflix Approved Camera List.
The Grande Halle de la Villette (EPPGHV) in Paris has deployed Riedel’s state-of-the-art intercom and signal distribution solutions to enhance its technological capabilities for diverse events ranging from festivals and parties to exhibitions, conferences, and live shows.
Automation seems like an obvious solution but effective conversion involves understanding what the image content is and therefore what the priorities are for how it should look.
Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight into what is being done every day around the world.
Part 1 discusses whether remote, OB or new hybrid workflows are being used for different sports in the US and Europe. It explores the longevity of the composition of the gallery creative team. It also begins to explore what approaches are being taken to production infrastructure design with a discussion of compute processing resource.
The variable directivity microphone is very popular for studio work. What goes on inside is very clever and not widely appreciated.
