Welcome to Part 3 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production.
Part 3 discusses the creative challenges of HDR & WCG, why automation is more challenging tha…
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Boost Graphics, the specialist international graphics and virtual production subsidiary of EMG / Gravity Media, is proud to announce the successful delivery of immersive virtual experience for a major English football league.
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Mediaproxy has been awarded formal approval by Dolby for the Dolby Digital Plus and Dolby AC-4 decoders.
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Shinobi II monitor supports Canon, Sony, Nikon touch to focus with new feature update.
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Leading AI for video understanding and search company Moments Lab is pleased to announce its public API, which allows organizations to enrich their media assets with powerful metadata that can be integrated into any software.
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IPsec and VPN provide much improved security over untrusted networks such as the internet. However, security may need to improve within a local area network, and to achieve this we have MACsec in our arsenal of security solutions.
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Well-executed productions come off seamlessly to audiences, regardless of the delivery format, but their underpinning is complex. Today, crews often work with a host of high dynamic range (HDR) and standard dynamic range (SDR) cameras and equipment, each with its own color science. Achieving a consistent look often…
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Media Types describe the container and content format when delivering media over a network. Historically they were described as MIME Types.
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ThinkAnalytics, a global leader in AI-driven video discovery, viewer insights, and targeted advertising, has launched ThinkContextualAI, a contextual advertising solution that raises the bar for privacy-first, audience-aligned advertising. This solution complements the company’s broader ThinkAdvertising offerings, which have been instrumental in redefining ad targeting across Connected TV (C…
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