Try our new AI powered Smart-Search!
Protecting Newsrooms And Viewers From Deepfake Videos
In the age of eager reporters surfing the internet for scandalous scoops, who is helping defend TV station newsrooms by detecting and tagging fake pictures and videos before they air, and how are they doing it? Hint: It’s not ‘golden eyes’ or government regulators. …Audio Consoles Focus On Remote Mixing
Among a number of things, the pandemic has accelerated product development timelines for remote production and the migration to virtualized IP infrastructures, supporting the ability to produce content remotely and stay socially distanced. Many of these new tools were already in place but were often still in early stages, andThe Sponsors Perspective: Mixing Realities - Feeding The Immersive Markets
Will alternative immersive channels create an imperative for broadcasters? Veronique Larcher, Director of AMBEO Immersive Audio, Sennheiser, explores immersive content outside of the commercial broadcast space, including virtual, augmented, and mixed realities. …Encoding Shines At Virtual IBC 2020
Had IBC 2020 taken place as usual, some of the liveliest discussions would have centered around encoding, after an eventful year leading up to the virtual event that took place over the same time slot. …Low Complexity Enhancement Video Coding Edges Towards Final Approval
Low Complexity Enhancement Video Coding (LCEVC) is gaining traction faster than any other video compression standard as it approaches final approval by the Moving Picture Experts Group (MPEG). …Broadcasters Consider Using ATSC 3.0 To Control IoT Devices. Is That “Broadcasting?”
Thanks to the pioneering and the sometimes overly promotional work of One Media, the wholly owned subsidiary of Sinclair Broadcast Group, the new broadcast standard emerging in the U.S., called ATSC 3.0, is promising broadcasters new capabilities well beyond delivering TV signals. Yet it’s also about to change the vMPEG Latest H.266 Codec Runs Into Stiff Competition
The latest MPEG codec H.266 has been unveiled by Germany’s Fraunhofer Heinrich Hertz Institute with claims it will at least double the compression efficiency of its predecessor H.265, also known as HEVC. …Sinclair Begins Commercial ATSC 3.0 Broadcasts
“We’re productizing a transformation, not a transition.” Mark Aitken, President of Sinclair’s One Media. …Cloud Native Technology Ensures Media Business Success
As the media landscape continues to streamline the way it delivers content, cloud-native technology, that is, container-based virtualized environments that replicate traditional workflows on premise, is playing a big role. However, some broadcasters moving their assets and processing power to the cloud are performing a simple “forklift,” which is often notWFH: Baby Steps And Lasting Legacy
Until very recently, the idea that editors and VFX artists could work remotely from one another seemed a far-off reality. Yet, Work From Home measures mean media companies have had to pivot overnight to a remote work setup. Content creation may never be the same again. …
