Building on its mission of Empowering Content Everywhere and serving the media, entertainment and technology industry, IBC has announced its strategic plan for 2021, focusing on the return of a live event in Amsterdam this year.
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MBC GROUP, a media company in the MENA region, has chosen the Broadcast Management solution What’s On from Mediagenix to replace its current BMS.
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The programmatic advertising field is heating up as Luxembourg based broadcaster RTL Group sells its platform SpotX to US online ad group Magnite for $1.17 billion.
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Veset has worked with Webedia to bring its popular Twitch gaming channel, LeStream, to the cloud-based linear TV channel management platform, Veset Nimbus.
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Atelier Arte, the post-production arm of Japanese advertising creative services provider ADK Creative One overhauled its post-production infrastructure with a system capable of handling 4K and HD content simultaneously with streamlined single-cable 12G-SDI transport.
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Representatives from ATSC, Dolby Laboratories, Fraunhofer Institute and Broadway Video to discuss Dolby AC-4, MPEG-H and the future of broadcast audio.
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IP networks are delivering outstanding success for broadcasters, both in terms of scalable functionality and flexibility. And the recent NMOS suite of specifications is improving integration and control, with IS-06 and IS-07 accelerating the process.
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DP Toby Oliver, ACS (Australian Cinematographers Society) and director Josh Greenbaum selected Cooke Optics Anamorphic/i Standard and Special Flair (SF) prime and zoom lenses to tell the story of best friends Barb and Star who leave their small Midwestern town for the first time to go on…
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For the Super Bowl 2021 broadcast, they brought one Mini-C and four Newton stabilized heads mounted on telescopic towers and rail systems, placed around the stage of the halftime show with the artist The Weeknd.
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