In response to wider adoption of broadcast IP workflows, MCI in Hamburg founded the XMedia.Lab to test practical applications of SMPTE and EBU IP standards in real-world production scenarios.
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Full-service broadcast production company, Broadcast Management Group (BMG), has chosen a Utah Scientific UTAH-400 Series 2 288 x 288 router to drive its landmark new production center in Las Vegas.
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Apple ProRes RAW recording will be enabled from Sony’s new full-frame mirrorless camera Alpha 1 via the Atomos Ninja V. It will record ProRes RAW images from the camera’s RAW output at up to 4.3Kp60.
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The history of computing has been dominated by the von Neumann computer architecture, also known as the Princeton architecture, after the university of that name, in which one common memory stores the operating system, user programs and variables the programs operate on.
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Updates to Dalet’s transcoding platform in a v11.9 release, include ‘significant performance gains’ and a new browser interface. There’s also built-in support for audio normalization specialists, Emotion Systems.
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The plugin allows direct encoding of more formats from DaVinci Resolve Studio, eliminating the need to work in a separate application.
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Megacable, one of Mexico’s largest cable TV providers, is expanding its Xview+ OTT service to Android TV set-top boxes using the Viaccess-Orca TV Platform package.
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The advantages of digital audio for recording purposes are clear, but once in the digital domain, productions steps also need to be carried out. Recorders don’t care about the encoding method, which is instead optimized for production purposes.
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Mo-Sys Engineering and HYPER Studios have created the first virtual production system with data-driven sports graphics.
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