So you’re a producer, and your cinematographer is campaigning for the use of anamorphic lenses. Problem is, they’re expensive, and for people who aren’t cinematographic propeller heads, it can seem hard to justify. Let’s look at what’s going on and how we got here, wit…

Maxon, a German developer of software for motion designers, visual effects artists and editors, has released its Universe 4.0 special effects package. …

Clear-Com’s FreeSpeak Edge Base Station is an IP base station that supports the full range of FreeSpeak digital wireless intercom solutions including 1.9 GHz (including both E1 and IP transceivers), 2.4 GHz and 5 GHz, as well as third-party Dante devices. …

French broadcaster TF1 is using Vizrt XR (Extended Reality) system for post-match analysis for its coverage of UEFA Euro 2020. …

Eurovision Sport, the sports distribution arm of the European Broadcasting Union  (EBU) operating on behalf of members across the continent, has been expanding on its relationship with Haivision, the US provider of low latency streaming and video encoding technology. …

When writer/director Christian Rousseau envisioned the look of No Loss // No Gain (NLNG), he knew that the two worlds the film would portray would need to be photographed differently, but the idea of using completely different lenses from two different manufacturers was not part of the initial…

GatesAir is heading outdoors with the broadcast industry’s first self-contained, fully weatherproof transmitter series built for challenging coverage areas and install points. …

Looking to level the playing field for on-demand content providers of all sizes, MediaKind has launched a new software platform called Engage that provides users with a direct-to-consumer, cloud-native solution for video contribution, production, streaming, and audience engagement. With it, sports entities, broadcasters, and other content providers can…

One of the earliest and most widespread applications of synchronizing was in television. …