Building optimized systems that scale to meet peak demand delivers broadcast facilities that are orders of magnitude more efficient than their static predecessors. In part 2 of this series, we investigate how this can be achieved.
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The show’s design team, supported by Ampco Flashlight, the official technical supplier for lighting, rigging and audio, provided one-hundred 4088 Directional Headsets and 40 d:facto 4018V Vocal Microphones from DPA Microphones for all of the show’s vocal performances.
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When Sky News launched a dedicated broadcast channel covering Derek Chauvin’s trial, for the George Floyd murder case, in a record-breaking nine days it did so using a cloud-based workflow, including video production and graphics from easylive.io and Singular.live.
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Veset is powering a unique 24/7 online TV channel dedicated to fine wine created by 67 Pall Mall.
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Enhancements in the latest version include the addition of warning labels, metadata subcategories, and the ability to change proxy resolutions and bitrates.
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When composing and lighting scenes, DOP’s usually seek to maximize texture and perspective. The rationale is simple: We live in a world that is unmistakably three-dimensional, so DOPs seeking to faithfully represent the natural world exploit a range of ways to promote the three-dimensional illusion.
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Blazar streamlines workflows in facilities requiring traditional bulk transcoding at extremely high speeds, just-in-time transcoding to generate single or multiple profile, and dynamic ad insertion.
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Technology developed by NativeWaves is helping over 5 million German Samsung TV customers to personalise their viewing experience across multiple screens.
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Dalet CubeNG leverages the Brainstorm real-time graphics engine to deliver 2D and 3D branding across broadcast, social and digital channels.
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