For most of its history, film and TV work has, by any sane measure, been incredibly complicated. Photochemical film was a nightmare of precision engineering and process control. Digital alternatives, intended to make things cheaper and simpler, involve some of our highest-performance electronics.
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AJA Video Systems has released Desktop Software v16.1 for KONA, Io, and T-TAP Pro products, alongside AJA SDK v16.1 for Developer Partners.
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TVU Networks, a provider of cloud and IP-based live video technology, has been supporting new and existing customers on site at the Summer Games in Tokyo.
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Argosy, a UK based supplier of broadcast and AV infrastructure products, has launched Hyperflex, a package of SMPTE camera cables and associated products for HD and Ultra HD.
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Being inventors and developers of technologies that enable extraordinary experiences, Xperi delivers these via its brands (DTS, HD Radio, IMAX Enhanced, Invensas, TiVo), and by its startup, Perceive - making entertainment more entertaining, and smart devices even smarter. Xperi technologies are integrated…
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The pressure to extract more revenue from ever shrinking budgets, due to expensive content rights contracts, is causing Broadcasters to re-evaluate—and in many cases reduce—how they spend their money on production tools and infrastructure. Recognizing this, live production technology providers like Grass Valley are getting “creative” in how …
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Video interface and IP workflow vendor Magewell has launched multi-device management software available free of charge for on-premises server or cloud hosting platforms.
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Javier Fracchia’s studio in Buenos Aires has become the first mastering facility in Argentina to feature Genelec 8361A studio monitors, the flagship of ‘The Ones’ range of coaxial three-way point source models.
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The conversion of monochrome TV to color was quite a trick, but it came at a cost.
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