OTT is becoming more and more prevalent in the world of video consumption. Some people would say that it will become the dominant form of video delivery in years to come as the underlying technologies expand, develop or mature, and consumer behaviour continues to revolve around convenience, flexibility…
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At NAB 2023, NetOn.Live, an innovative provider of live and remote IP production solutions, is showcasing the latest version of its revolutionary LiveOS Production Platform for live IP-based media production. The LiveOS platform allows organizations to design, configure, and quickly spin up multiple concurrent productions, such as drama,…
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ELEMENTS will showcase how its centralized media platform can deliver creative workflow efficiencies in a seamless, unified ground and cloud architecture.
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In the area of virtual production, the times have certainly changed. From the early days of shooting against a green screen and compositing the image in real time, the biggest productions are now using large “volume” stages where actors are filmed in front of giant wrap around LED scr…
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Here we continue the story of motion compensated compression using macroblocks.
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SAPEC will lead the creation of the encoder that will allow the RTVE-UPM Cátedra to broadcast live 8K content via DVB-T2, which will be the first broadcast of its kind in the world. The RTVE-UPM Cátedra is a research collaboration between the Spanish public broadcaster RTVE a…
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AI company Newsbridge has announced a cutting-edge new AI landmark detection capability for indexing and searching media assets.
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Anywave supplies ATSC 3.0 lighthouse transmitter and ATSC 3.0 translator to bring nextgen TV to Central Pennsylvania.
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While the emergence of IP-based infrastructures has led to new ways of leveraging the traditional Production Control Room (PCR) and all of the hardware devices and software systems within, it continues to hold its important place as the center of an on-premise studio production in most content creation…
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