The first article in this series explained how content owners are pivoting towards a new way to manage their rights and monetize their content, known as Interactive Rights. This is driven by the new ‘Converged Entertainment Paradigm’ of the Streaming Era, which combines content with gamification and social int…
Read more…
As we head into another new year it seems ok to indulge in some obvious speculation about what the future may bring. Here we consider the proposition that eventually, and probably not far into the future, broadcasters will have to deal with immersiveness. Why is this likely, and…
Read more…
Eswatini Broadcasting and Information Services (EBIS) radio, the national broadcaster of the Kingdom of Eswatini, has embarked on a major technology upgrade with the installation of Lawo’s diamond Modular Broadcast Consoles.
…
Read more…
Most microphones need a diaphragm in order to follow some aspect of the air motion that carries the sound.
…
Read more…
When IP was first envisaged back in the 1970s, just over 4 billion unique IP addresses were allocated. However, the overwhelming international adoption of the internet with a world population of nearly 8 billion people has demonstrated there are simply not enough IP addresses to go around.
…
Read more…
Carriage of timed-text must be closely synchronized to the AV stream to ensure it is presented in a timely manner so here we describe the standards that enable this for both broadcast and internet delivery.
…
Read more…
Boost Graphics, the specialist international graphics and virtual production subsidiary of EMG / Gravity Media, is proud to announce the successful delivery of immersive virtual experience for a major English football league.
…
Read more…
Mediaproxy has been awarded formal approval by Dolby for the Dolby Digital Plus and Dolby AC-4 decoders.
…
Read more…
Shinobi II monitor supports Canon, Sony, Nikon touch to focus with new feature update.
…
Read more…