Atelier Arte, the post-production arm of Japanese advertising creative services provider ADK Creative One overhauled its post-production infrastructure with a system capable of handling 4K and HD content simultaneously with streamlined single-cable 12G-SDI transport.
DP Toby Oliver, ACS (Australian Cinematographers Society) and director Josh Greenbaum selected Cooke Optics Anamorphic/i Standard and Special Flair (SF) prime and zoom lenses to tell the story of best friends Barb and Star who leave their small Midwestern town for the first time to go on vacation in…
For the Super Bowl 2021 broadcast, they brought one Mini-C and four Newton stabilized heads mounted on telescopic towers and rail systems, placed around the stage of the halftime show with the artist The Weeknd.
NVP, an Italian provider of advanced production facilities and services, has selected Riedel’s top-of-the-line Artist-1024 digital matrix intercom node and Bolero wireless intercom to provide seamless crew communications on board the company’s all-new, 4K- and HDR-capable outside broadcasting (OB) van, OB 7.
Big Pic Media supplies Cardiff-based producer Gorilla with a Sony Trimaster BVM-HX310 LCD monitor for master colour grading reference.
Kaltura, a New York based provider of online video technology, has been selected by Israeli commercial broadcaster Reshet 13 to upgrade its direct-to-consumer (D2C) video service.
Telestream helps Chinese State Broadcaster, CCTV prepare 8K UHD as production format for Beijing Winter Olympics.
Asharq News excels in the media industry of the MENA region utilising IP infrastructure controlled by Lawo’s VSM Virtual Studio Manager broadcast control system.
hsc.tv, a New York City-based production company, has shot a promotional piece entitled “A New Era” about the Kansas City Chiefs’ legacy that aired on ESPN’s “Sunday NFL Countdown” on Super Bowl Sunday.
TV 2 Norway has purchased a PHABRIX QxL rasterizer to provide 25G UHD IP ST 2110 video and audio generation, analysis and monitoring at its Bergen headquarters.
