RBS TV, one of the oldest Rede Globo affiliates and Group RBS’ main network presence in Southern Brazil, has chosen Pebble solutions to deliver bespoke automation, playout and management solutions to help it restructure and centralise its operations.
While many production facilities nationwide saw bookings decline during the COVID-19 pandemic, Alex “Mixedbylex” Romero substantially increased his business at his Grand Bay Recording Studios in Tampa, Florida. After months of 18-hour days and a string of Gold and Platinum singles, Romero upgraded his main room with a Solid State Log…
The Netherlands based streaming technology developer 24i has supported the launch in the US and Canada of OTT service Cinessance dubbed the Netflix of French cinema.
Season 4 of Star Trek: Discovery will bring viewers further into the story than previous seasons, as lead Director of Photography Philip Lanyon adds shooting in full frame to his creative look with Cooke Optics (1.8x) Anamorphic/i Full Frame Plus SF (Special Flare) prime lenses, to supplement the (2x) Anamorphic…
Motion Impossible’s AGITO Trax modular dolly system helped bring about the emotion of the singer’s performances for the recently aired two-hour CBS special.
The Video Services Forum (VSF) has expanded its Reliable Internet Stream Transport (RIST) low latency streaming technology to support a range of legacy and other protocols, including those based on TCP.
Los Angeles-based software company Frequency, a leading provider of linear video channel cloud origination services, has deployed Interra Systems’ industry-leading ORION and ORION-OTT systems in an AWS cloud environment.
MCTV, a local US cable TV operator providing video and broadband services, has chosen France’s Broadpeak and Canadian telco equipment maker Enghouse Networks as technology suppliers for a video streaming service.
As the demand for high-definition coverage of live sports continues, NEP UK has worked with Imagine Communications to deliver this increased level of quality to their viewers.
Reaching for a historic lens is an almost instinctive choice for modern cinematographers, especially those keen to transport an audience back in time. On Old Henry, cinematographer John Matysiak took a different approach to creating a realistically harsh and unforgiving world for director Potsy Ponciroli’s western.
