Austrian Broadcast Corporation (ORF) is using Stryme GENESIX V9 VideoServers for disaster recovery.
Calrec has announced the launch of a free educational training module for mixing live broadcasts in Dolby Atmos using the Calrec Brio console.
Japanese post production house Mitomo Studio Shibya has bought some AJA gear to handle 4K and 8K UHD content.
Clear-Com has released the new Virtual Desktop Client, a Mac and Windows-based software application that connects to Clear-Com’s Digital intercom Matrix and coming soon, the Series of IP interface devices.
Veset’s cloud native linear channel management platform, coupled with AWS Media Services reduces the complexity of creating and managing 24/7 or pop-up linear channels. It is fast and easy for users to produce, process, and deliver those linear channels to multiple platforms.
TVU Networks has developed cloud-based software allowing sports or other events broadcasters to add synchronized, real-time audio commentary remotely from any location over a public internet connection.
Designed for IP or hybrid production workflows, the 1RU MV-1640IP supports up to 32 inputs (16 IP and 16 SDI) and five monitor outputs.
ARTESCA supports application owners and DevOps with multicloud data management.
An update to Ninja V includes the option for H.265 codec upgrade. Meanwhile, Ninja V+ - is built for Apple ProRes RAW 8K productions, and Ninja Stream - 4Kp60 HDR for a high-quality social distancing production environment.
Sweden’s Nordic Entertainment (NENT) Group has automated and accelerated its content production workflows based on Primestream’s Workflow Server and Xchange media asset management platform.