Arvato’s Vidispine media supply chain solution is the latest to hook itself up to AWS’s cloud based M&E plan.
Medialogy Broadcast has completed a live delay system for the London studios of one of the world’s largest evangelical television networks, with over 14 million viewers around the globe.
Paradigm’s SWARM950 is now an Intelsat qualified terminal, offering greater flexibility to operatives who need high performing, ultra-portable VSAT terminals with military-level security.
Like its smartly-designed sister products, this mounting essential supports an array of gear, from camera rigs, set pieces, lighting and grip modifiers to building materials like lumber and pipe.
Typical of the new functionality is instant access to basic editing and voiceover tools for any clip in the system. This allows a journalist to quickly build a story by simply assembling the pictures and adding a script, through intuitive controls.
Austrian Broadcast Corporation (ORF) is using Stryme GENESIX V9 VideoServers for disaster recovery.
Calrec has announced the launch of a free educational training module for mixing live broadcasts in Dolby Atmos using the Calrec Brio console.
Japanese post production house Mitomo Studio Shibya has bought some AJA gear to handle 4K and 8K UHD content.
Clear-Com has released the new Virtual Desktop Client, a Mac and Windows-based software application that connects to Clear-Com’s Digital intercom Matrix and coming soon, the Series of IP interface devices.
Veset’s cloud native linear channel management platform, coupled with AWS Media Services reduces the complexity of creating and managing 24/7 or pop-up linear channels. It is fast and easy for users to produce, process, and deliver those linear channels to multiple platforms.
