Disguise’s most recent r19 release is integrated with Unreal Engine 4.27 allowing to make real-time content changes directly from disguise’s software interface Designer.
Although latency and resource coordination continue to challenge those considering cloud-based remote live production, the distributed architecture model is steadily gaining traction as a cost-effective alternate to hardware-based on-premise projects. To date this IT-centric architecture has not been deployed for high-profile productions like the Super Bowl or World Cup, but…
Veset, a provider of cloud-based playout solutions, has added new features to its advanced playout solution Veset Nimbus, including support for more output formats, the ability to include more graphics, and live recording support.
KRK has enhanced its tried-and-trusted studio-quality headphone offerings with the new KNS 6402 and KNS 8402.
Coach Paint 9 leverages AI and XML data to drive increased efficiency, and a broader feature set.
New, in-cloud, pay-per-use business models offer new advantages to occasional REMI, field reporting, remote event production and similar content producers and distributors with a better business model to remain competitive and profitable without huge ongoing capital investments.
Sports channel TUDN, which is owned by Univision and Televisa, had a virtual set built specifically for Tokio Nos Une, a two-hour program of daily Olympics coverage.
At this summer’s UEFA EURO Championships, French soccer fans enjoyed access to high quality replays of matches thanks to a new initiative from broadcaster M6, supported by Telestream and its French local partner, VIDELIO.
MediaHub deployed a TAG VS monitoring system provided by Magna Systems & Engineering.
Spain’s RTVE used Flowics’ cloud-based platform to produce sports content for linear TV and RTVE Play – the company’s OTT media service – during the summer games in Tokyo.
