HDR: Part 23 - DOPs: How Useful Is The iPhone Really For Professional Production? April 26^th 2021 - 09:00 AM

We’ve heard the hype, and I admit I’ve contributed my fair share. The iPhone is able to capture impressively sharp, high-resolution images that stand up to critical examination even when magnified and viewed on a 20-meter cinema screen. The iPhone’s onboard software compensates for the most egregious image…

Creative Analysis: Part 21 - Cinematographer Markus Förderer On Bliss April 16^th 2021 - 09:00 AM

Speculative fiction is something that’s often hovered on the borders of drama, fantasy and sci-fi, and one of the huge benefits of the streaming media revolution is that much more of the genre has found a way in front of both a camera and a large audience.

HDR: Part 22 - Creative Technology - Non Standard April 1^st 2021 - 09:00 AM

Read too much film and TV industry technical literature, and it’s easy to get the impression that everything about the technology is built to carefully considered specifications. As Philo Farnsworth’s wife was probably aware, though, as he tinkered with the electronics while she sat in as a test sub…

Creative Analysis: Part 20 - Cinematographer Pete Romano On Underwater Filming March 30^th 2021 - 09:00 AM

There aren’t many positions in the film industry which have the prerequisite of spending an hour sunken in the waters off San Diego in a classic diving suit with a blacked-out helmet. To be fair, it wasn’t so much the film industry that made Pete Romano do that; it …

Creative Analysis: Part 19 - Cinematographer Angus Hudson BSC, On The Life Ahead March 15^th 2021 - 09:00 AM

Spending a few weeks in southern Italy is a popular idea. For cinematographer Angus Hudson, BSC, an opportunity to soak up the Puglian sun would come in the form of The Life Ahead (in Italian, La vita davanti a sé), a film directed by Edoardo Ponti and starring Sophia Loren …

Creative Analysis: Part 18 - Cinematographer Johnny Derango On Fatman March 1^st 2021 - 09:00 AM

Possibly one of the last features to wrap before the global pandemic effectively shut down production was Fatman, a dark action comedy directed by Eshom and Ian Nelms and starring Mel Gibson as the kind of Santa Claus who would probably exist in 2020 if one existed at all.

HDR: Part 21 - Creative Technology - The Size Of Light February 22^nd 2021 - 09:00 AM

Most people are aware that the amount of detail in a photograph is dependent on a few things. Assuming focus is right, it’s easy to assume it’s a combination of how well the lens was made and the number of pixels on the sensor, give or take the…

Creative Analysis: Part 17 - DOP Simon Rowling On Legacy Of Lies February 15^th 2021 - 09:00 AM

Some films languish in preproduction hell for years. For cinematographer Simon Rowling, though, only a matter of days elapsed between first discussing Legacy of Lies and flying out to begin location scouting. The production, which stars Scott Adkins as a CIA agent in pursuit of Russian kidnappers, was written and…

HDR: Part 20 - DOPs: Do We Still Need Green? February 8^th 2021 - 09:00 AM

With the recent advances in artificial intelligence, post-production rotoscope tools are now so good that some DOPs are asking if we still need to use green screen at all, or at least, in quite the same way. Suddenly, it seems any background, no matter how complex, can be replaced in…

Super Bowl LV Is Live Production Industry’s Biggest Triumph February 2^nd 2021 - 09:00 AM

When CBS Sports broadcasts images of the players taking the field on February 7th for Super Bowl LV to millions of viewers around the world, it will be the culmination of the most challenging season for live football sports production in the U.S.

2024 BEITC Update: ATSC 3.0 Broadcast Positioning Systems May 15^th 2024 - 10:00 AM

Move over, WWV and GPS. New information about Broadcast Positioning Systems presented at BEITC 2024 provides insight into work on a crucial, common view OTA, highly precision, public time reference that ATSC 3.0 broadcasters can easily provide.

Wi-Fi Gets Wider With Wi-Fi 7 March 26^th 2024 - 09:30 AM

The last 56k dialup modem I bought in 1998 cost more than double the price of a 28k modem, and the double bandwidth was worth the extra money. New Wi-Fi 7 devices are similarly premium-priced because early adaptation of leading-edge new technology is nearly always expensive. The 6 GHz Wi-Fi band was introduced…

NAB Show 2024 BEIT Sessions Part 2: New Broadcast Technologies March 25^th 2024 - 09:30 AM

The most tightly focused and fresh technical information for TV engineers at the NAB Show will be analyzed, discussed, and explained during the four days of BEIT sessions. It’s the best opportunity on Earth to learn from and question indisputable industry experts, meet them, and swap business cards.

Chris Brown Discusses The Themes Of The 2024 NAB Show March 20^th 2024 - 09:00 AM

The Broadcast Bridge sat down with Chris Brown, executive vice president and managing director, NAB Global Connections and Events to discuss this year’s gathering April 13-17 (show floor open April 14-17) and how the industry looks to the show each year for the latest in technology and business models.

Project Managing The Creative Elements Of Live Sports Production March 4^th 2024 - 09:30 AM

Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the…

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