Chyron’s new mantra is flexibility.
Founded in 1966, Chyron’s technology has become so ingrained in the broadcast industry that its very company name has become the standard term for a caption superimposed over usually the lower part of a video image during a news broadcast.
There is no motion in the static frames of a movie. The motion is purely in the imagination of the viewer. But how does it work?
From the earliest public radio transmissions in the 1920s to 4K television of today, broadcasters have been working to continually deliver and improve the immersive experience. Television broadcasting has gone from black and white, to color, then HD and 4K, with massive improvements in audio all building on previous technologies…
China and Russia have back-up GPS systems. The USA has no GPS backup, although politicians have been talking about the need for 20 years. ATSC 3.0 stations have the hardware in place to provide nationwide backup. The US Department of Transportation is responsible for GPS. If The Office of Transportation Policy (TRA…
Now we turn to Spatial Compression, which takes place within individual images and takes no account of other images.
While commercial deployments of 5G networks are steadily increasing, many commentators predict that the rise of more immersive communication, holographic telepresence, and social experiences powered by Extended Reality (XR)… IE ‘the metaverse’, will create vast amounts of generated data and applications that will rapidly exceed the current and future capabilities…
In the Spring of 2019, Jean Vanbraekel, Head of Operations and Distribution for RTBF, was tasked with helping to move the French-speaking public broadcaster into the IP age and he was nervous. Not because he thought it couldn’t be done, but because the required production equipment was not fully tested (o…
Shock waves are interesting phenomena that take place in a number of different media. For an arcane physical process, they have done quite well to be adopted by the mainstream media as one of their clichés, along with Mae West life jackets and aircraft black boxes (which are orange).
For many people the idea of “serverless” software applications might seem counter-intuitive, or even confusing. Software surely needs to run on some kind of computer system somewhere? Isn’t that always called a “server”? So what does it mean when we talk about serverless, how can this approach help us, and when …
It seems clear that there is such a thing as the “film look”. But how did it come about?
