Video and photography — on major display at recent year-end trade shows in New York City — have leap frogged into powerful AI technology, putting extraordinary powers to manipulate images into the hands of the masses.
Sennheiser introduces its new and innovative approach isolating audio objects in live sports broadcast production with the power of beamforming.
We all understand what it means when someone says a video went viral. It typically means a person used a mobile device to record an event and posted it to any number of social media websites. How does that have anything to do with professional broadcast and production?
It’s one of the most mystifying questions in video and usually only those with the most valuable programming bother to ask it: How long does video tape last?
With 6K acquisition becoming more common, you may be considering getting ahead of the editing curve by upgrading your computer system. Likely you’ll want a hot system based upon one of the new AMD or Intel 6- or 8-core microprocessors. As the saying goes, be careful what you wish.
In the first part of this four-part series we described the basic principles of the Precision Time Protocol. In part two, we investigate PTP redundancy, specifically for media networks.
The 5G Media Action Group launched at IBC 2019 to promote broadcast over future 5G cellular networks has just held its first General Assembly at the Geneva headquarters of the EBU (European Broadcasting Union).
Move over, video. When it comes to the medium of choice for powerful storytelling, audio wins hands down. That’s why — in its golden age — radio was called the theatre of the imagination.
Following the settlement this summer of a bitter court fight between Fujifilm and Sony over patents relating to the next generation of Linear Tape-Open (LTO) magnetic tape data storage technology, global shipments of LTO-8 media are now reaching end users. It’s a huge relief for large media organizations looking t…
The emergence of high dynamic range (HDR) acquisition in live and studio production has brought numerous possibilities for improved picture quality and creating an immersive experience for viewers. But it has also added cost and complexity to production workflows that broadcasters and content distributors are not eager to pay.
