Twenty years ago, there was a clear divide between how you shot and finished a project for Cinema compared to the typical workflows used in broadcast TV. With the advent of streaming services that provide 4K/UHD to a broad audience the lines are now blurred between these two worlds.
Most film and TV jobs start with some simple questions, as Gregory Irwin puts it. “What is it, where is it, when is it.” In April 2018 Irwin found himself asking those questions of cinematographer Lawrence Sher, with whom he’d collaborated on five previous films beginning with John Hamburg’s I Love …
The first burst error correcting code was the Fire Code, which was once widely used on hard disk drives. Here we look at how it works and how it was used.
Video encoding is running up against a complexity barrier that is raising costs and reducing scope for further improvements in quality.
Compared to simple ATSC 1.0 PSIP, ATSC 3.0 Signaling & Announcement data tells Nextgen TV receivers about incoming data structures, their interrelations, and what to do.
If an 8K content service from OTT providers like Amazon, Netflix and YouTube is ever going to be successful, and that’s still a hot topic of debate, new types of compression will have to be part of the solution. Terrestrial broadcasters don’t have the infrastructure to handle it, reg…
Need a live shot from inside an unmarked moving rental sedan during a thunderstorm? No problem.
Playout automation has been enabling fewer people to control more channels for decades but we’re not quite at the point where human interaction can be eliminated altogether. Since most linear broadcasters will either move to a software-based deployment for their channels themselves or give them to a service provider t…
The global lockdowns have come just too soon for 5G mobile services to help mitigate disruption to production and content creation.
Glasgow in December is a place and a time with a particular look, and The Nest is a production which enthusiastically embraces that aesthetic. Broadcast in the UK beginning in March 2020, it was produced for the BBC by Studio Lambert as five one-hour episodes featuring a couple, played by Martin…
