Ashley Xu blew up on social media when she started making ‘thirst traps’ (adverts) in her college dorm. Check them out, you may be surprised by just how good they are. It did not take long for major brands to see it and commission her. It’s a fascinating example of ho…
IP has succeeded in abstracting away the media essence from the underlying transport stream, and in doing so is providing scalable and dynamic solutions that are facilitated through cloud technologies and software.
IP is an enabling technology that facilitates the use of data centers and cloud technology to power media workflows. The speed with which COTS (Commercial Off The Shelf) hardware can now process data means video and audio signals can be transcoded, edited, and transferred with speeds that are fast enough…
Compression is almost taken for granted despite its incredible complexity. But it’s worth remembering how compression has developed so we can progress further.
The multi award winning team at Goldcrest share their creative insight and technique through an exploration of the subtle soundscape for Billions.
If we could get lights capable of full color mixing at the same price as conventional white-only ones, would we?
Distributing error free IP media streams is only half the battle when building reliable broadcast infrastructures. SDP files must match their associated IP media essence or downstream equipment will not be able to decode it. In this article we dig deeper into SDP files and media IP streams to understand…
Founded in 2008 in Boston Mass, Zixi began as a company that targets broadcasters, enterprises, over-the-top video providers, and service providers around the world with a content- and network-aware protocol that dynamically adjusts to varying network conditions and employs error-correction techniques for error-free video streaming over IP networks. The intention is…
John Watkinson moves on to discussion of the effects of the medium waves are travelling in and explains why loudspeaker enclosures contain foam.
Matt Sakatani Roe shares his experiences shooting the Netflix film ‘Purple Hearts’, staying hands on with the camera, staying close to the characters and leveraging natural light.
