Synchronizing became extremely important with the growth of AC power systems, which ended up being used to synchronize all sorts of equipment, from Radar to television.
As IT-centric production workflows continue to become more connected, the Vizrt Group’s NDI company is introducing new features and capabilities as part of the latest software version of its IP-based networking codec and transport protocol that enables connection with compatible devices anywhere in the world. Users can now easily d…
Core to any successful television production is the effective application of clear and precise communications. Camera operators, sound assistants, playout, slow-mo operators, and floor managers all need to hear direction from the production teams. Without comms, the production would soon degenerate into a chaotic cacophony of incoherent images and sounds.
Rapid growth in AvoD streaming services across developed countries has been predicted by a spate of recent analyst firms as media giants such as Comcast, ViacomCBS and Fox invest heavily in their advertising supported platforms. The latest report from Digital TV Research predicts that AVoD expenditure for TV episodes and…
TV engineers are always busy behind the scenes, monitoring and maintaining technical quality to make the station and those in front of the cameras sound and look their best, and thinking of ways to make it better.
If there’s one thing the production community has learned during the pandemic, it’s that ensuring the safety of the crew on site or in the studio should always be first and foremost in people’s minds. The second takeaway is that sending less people on site and implementing more …
Over the past year, as broadcasters and production companies have expended great effort to reconfigure their workflows and develop new ways of working amid strict safety protocols, so too have the manufacturers of the technology and systems they rely on.
Several things are widely held to be true about HDR. Subjectively, it looks nice; most people instinctively like it. Also, it’s often described as being about higher brightness, and while that’s rather missing the point, it’s still very common to specify displays solely on the basis of their…
The era of dominance by video codecs from the MPEG stable is ending as rivals, especially the Alliance for Open Media (AOMedia) comprising big internet technology companies such as Google, jostle for position.
Digital TV broadcasting technologies continue evolving, but the industry’s goals can become a moving target when demands unexpectedly change.
