The Interrotron is a variation of the teleprompter and used to interview subjects. Rather than seeing text over the camera’s lens, the on-camera interviewee sees the face of the person asking the questions.
Broadcasters had almost 75 years of exclusivity in program delivery. That is now being challenged by new and inexpensive streaming technology.
With the Consumer Electronics industry hell-bent on making Ultra High-Definition (UHD) television sets and other related products the next best thing, the video production and distribution community is looking to help with content—now that we all know what “UHD TV” actually means.
Content Monetization is at the heart of the broadcast business. We all know and understand this – but what are the real-life success factors especially in the non-linear environment?
Contribution – backhaul in the U.S. – has always been a challenge for broadcasters. In the early days most of the engineering effort in a remote broadcast went toward creating the wireless links back to the studio.
Amid all the OTT hype IPTV will increase its share of the global pay TV market according to various forecasts, with the latest from Transparency Market Research predicting a trebling in worldwide revenues generated by the sector between now and 2020. The firm’s latest forecast ‘IPTV Market – Global Industry Analysis, Size,…
We are creating and saving more data than ever, but we are no longer limited as to where we store that data. Centralized home servers, remote storage facilities, and, of course, “the cloud” in all its incarnations have changed the way we think about saving data, what we save, and for…
In the second part of our look at augmented or virtual reality elements in virtual sets we’ll start by explaining the difference between AR and VR. The terms augmented reality (AR), virtual reality (VR), virtual studio and virtual set are all referring to different flavours of the same technology…
Shopping for LED video lights can be a daunting affair, with literally hundreds of models from dozens of manufacturers at every price point. What is the difference and how can a non-expert tell which ones work well and which ones don’t?
The ATSC continues its work on the next-generation television standard, known as ATSC 3.0. The committee is now looking for ways to deliver an immersive audio experience in the form of multiple channels which enable consumers to focus on specific “objects” or audio elements within content.
