As parts 1 and 2 of this article highlighted, there are very practical steps available today for Streamers to reach broadcast-grade latency. Low latency protocols from HLS and DASH that implement CMAF Low Latency Chunking are the main proponents of 5-8 seconds of latency from encoder input to player output. But the…
Much of the attention enjoyed by virtual production currently goes to the spectacular stages with LED displays the size of half a dozen cinema screens. The material we put on those displays, though, can come from a number of places, and anyone putting together a virtual shoot will quickly encounter…
The concept of remote production – moving raw content generated at a site event back to the main facility for production and management – has been rapidly gaining popularity in the broadcast world.
Founded in 2004 as Appear TV, the company rebranded in 2021 as Appear to better reflect its expanding product portfolio and the non-broadcast customers (like telcos, head-end operators and the hospitality sector) it is now supporting. Based in Oslo, Appear launched a new U.S. division in April 2022, with sales/technical support…
The idea of “content everywhere” is of course well established. Consumers like the idea that they can consume media – including video – on whichever device is to hand. Mobiles and tablets are seen as primary viewing devices today. More than 80% of internet traffic is video.
Celebrating its 19th year in business, LYNX Technik is a global manufacturer of signal processing solutions and modular interface equipment. The company is based in Weiterstadt, Germany, with offices in Los Angeles (U.S.) and Singapore. TheBroadcastBridge.com spoke with David Holloway, Director of Sales EMEA, at LYNX Technik.
Streaming is a pull system which creates some challenges for latency management due to the nature of the networks that streaming traverses. But this exact pull system is also the reason why there is an opportunity to exceed today’s “broadcast-grade” latency standards and perhaps set a new bar that we co…
Our third and final part of this series looks at Quality Control & Compliance, which bring efficiency, confidence, and legal conformance to daily TV station operations.
We continue our series on things to consider when designing broadcast audio systems with the beating heart of all things audio – the mixing console.
Remote Integration Model (REMI) production is more than remote cameras. It’s a new way of thinking and working. This tale of trying to implement a REMI production model within tight financial constraints highlights some of the operational challenges involved.
