Anyone can buy and fly a UAV-drone. All the exhibits at this year’s NAB show made that obvious. What was typically glossed over were the finer points of the flight science that makes them work—and why drones can make a less-than-perfect camera platform. Helicopter and UAV pilot John Wat…
Increased global connectivity is enabling broadcasters operating across geographically dispersed locations to reevaluate the way they do business. In this article we take a look at examples of distributed media workflows, where advanced integration connects separate broadcast sites to form a mesh network of operational locations.
The BBC is arguably…
When it comes to sports broadcasting, IP technology is changing the game with winning results. The use of IP has the potential to simplify sporting applications making them more cost effective and operationally efficient. From major global sporting events, to the coverage of smaller, niche sports, broadcasters can overcome a…
Beginning with IBC 2015, the broadcast and production industries have seen an increasingly large investment in IP-centric solutions being offered by vendors. While that is encouraging, customers need to be sure that the performance of a centralized solution is not compromised by a low-bandwidth network.
While the Federal Aviation Administration has begun to allow the use of drones in film and TV production, there are still too many restrictions, according to filmmakers. Particularly around camera weight and night time shoots.
Better pixels are coming, but there is much detail to be resolved. Will consumers be confused? Will a “4K” receiver also support high dynamic range (HDR), high frame rate (HFR) and wide colour gamut (WGC)? And where will the content come from? Over-the-air looks a little way off, but fibre bro…
SMPTE defines a set of stringent requirements for return loss, which have been challenging for many hardware designers even at today’s speed of 2.97 Gbps. As the industry upgrades to 5.94 Gbps and 11.88 Gbps to support ultra-HD video resolutions, meeting return loss will become even more challenging.
Just what are the practical aspects of improving delivered picture quality? They involve a complex combination of needing to increase both spatial and temporal resolution.
As the volume of file-based media grows, the requirement for metadata advances significantly. Simultaneously, the number of sources of metadata available expands as each node in the programme chain adds information to the file. And here lies the problem, the amount of information a producer has to search through is…
A few years ago at a technical conference, the CTO of a major sports entity was challenging the storage vendors on how much storage capacity and throughput architecture would be needed to meet his needs. What they neglected to tell him was the cost, technology and resources required to monitor,…