Essential Guide to Fiber Optics in Live Production
June 21st 2016 - 11:00 AMFiber optics have become an essential part of the infrastructure for remote productions, replacing coppper cabling as the preferred intercon
There was a time when the use of fiber optic cable struck fear in hearts of live production crews because it was difficult to work with and there was a certain black magic associated with distributing optical signals that had to be done right in order for multiple paths of video and audio to cleanly pass through tiny strands of glass. Today, the technology has advanced to include military-grade tactical cable and fiber/copper hybrid cabling that is much more robust to work with. Along with better equipment, there is a better understanding across the industry of how to deploy fiber cable and hardware with the least amount of effort and on-site field problems.
This Essential Guide, sponsored by Bexel Global Broadcast Solutions, describes the key issues around the use of fiber optic cabling for live production infrastructure. What's inside:
- Single and multi-mode fiber
- SMPTE hybrid And tactical cable
- How much fiber do you need?
- Keep it clean
- Fiber networking
You might also like...
Live Sports Production: Part 1 - New Sports Production Workflows
Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight i…
Automating HDR-SDR Conversion
Automation seems like an obvious solution but effective conversion involves understanding what the image content is and therefore what the priorities are for how it should look.
Building Software Defined Infrastructure: Virtualization Vs Microservices
How virtualization and microservices differ, and workflows where virtualization and microservices would be used or avoided in terms of reliability, flexibility and security.
IP Security For Broadcasters: Part 8 - RADIUS Network Access
Maintaining controlled access is critical for any secure network, especially when working with high-value media in broadcast environments.
Standards: Part 25 - Designing Client-Side Video Players
Here we chart the historical development of client-side video players, describe the building blocks used to create them and the relevant standards.