Sennheiser Spectera - The World’s First Wideband, Bidirectional, Digital Wireless Ecosystem

Sennheiser ushers in a new era of digital wireless audio transmission with the world’s first bidirectional wideband solution: Spectera.

Using the ground-breaking WMAS (Wireless Multichannel Audio Systems) technology, Spectera greatly reduces wireless system complexity, while at the same time considerably increasing capability, enabling time-saving workflows and offering full remote control and monitoring, including permanent spectrum sensing. Spectera features bidirectional bodypacks that manage both digital IEM/IFB and mic/line signals at the same time. The solution is remarkably resistant to RF fading and allows for flexible use of the wideband RF channel, for example for digital IEMs with a latency down to a spectacular 0.7 milliseconds.

“We are thrilled to see years of technological development and spectrum policy work turn into a digital wireless ecosystem that will solve many of the issues that users of wireless multichannel systems are faced with today,” say co-CEOs Dr Andreas Sennheiser and Daniel Sennheiser. “Our wideband solution will be ideal for large productions, whether in the touring, broadcasting, or theatre fields, or in any other area that requires multichannel audio setups. Spectera satisfies our customers’ chief desires and needs regarding ease of use, operational reliability and flexibility. It offers less hardware, drastically reduced frequency coordination, redundancy, and the flexibility of an ecosystem that grows with your needs.”

Sennheiser WMAS technology is a proprietary variant of OFDM-TDMA, specifically tailored to reliable multichannel, bidirectional, low-latency communication. “Instead of many individual 200 kHz narrowband RF carrier frequencies, we use a single wideband RF channel for audio transmission – bidirectional transmission of audio and control data, to be more exact. In Sennheiser’s approach, the wideband RF channel is a TV channel of 6 or 8 MHz, depending on local regulations. The WMAS system organises its audio links within this channel. Every audio link, be it a mic or an IEM, is assigned specific time slots for transmitting its audio information – for the first time, it is possible to have IEMs and mics in the very same TV channel instead of two channels separated by a guard band.

One of the most stunning innovations in the Spectera ecosystem is certainly the Base Station, which, in a single rack unit with 32 inputs and 32 outputs, replaces a rack-full of wireless mic receivers and IEM transmitters. An entire production could be accommodated in a single wideband RF channel (6 or 8 MHz). The lower footprint continues to the bodypacks, which handle mic/line and IEM/IFB requirements simultaneously. “Having just one pack is not only a great asset for performers,” says Bernd Neubauer, Spectera product management, “it also makes the work of the sound engineer easier, who has just one type of pack and can, if required, quickly add an IEM to a mic. Warehousing also becomes less complex, with just one Base Station and two frequency variants – UHF and 1G4 – for bodypacks and antennas.”

Spectera represents a total shift in control and monitoring: It doesn’t just offer a back channel, but continuous two-way communication throughout, for truly complete remote control. Via the permanent control data stream, audio settings can be adjusted, IEM and mic levels adapted, RF health and battery status monitored, and much more. AES 256 encryption (AES 256 CTR Mode with >10kYears expiry) for both audio and control data ensures the necessary data privacy.

Also, all units help in continuously sensing the spectrum, meaning they scan for potential interference from other RF sources. With Spectera, it is possible for the first time to see “behind” the RF channel that is actually being used and detect interference.

You might also like...

HDR & WCG For Broadcast: Part 2 - The Production Challenges Of HDR & WCG

Welcome to Part 2 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 2 discusses expanding display capabilities and…

Great Things Happen When We Learn To Work Together

Why doesn’t everything “just work together”? And how much better would it be if it did? This is an in-depth look at the issues around why production and broadcast systems typically don’t work together and how we can change …

Microphones: Part 1 - Basic Principles

This 11 part series by John Watkinson looks at the scientific theory of microphone design and use, to create a technical reference resource for professional broadcast audio engineers. It begins with the basic principles of what a microphone is and does.

Designing An LED Wall Display For Virtual Production - Part 1

The LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in an interdependent array of technology.

NDI For Broadcast: Part 1 – What Is NDI?

This is the first of a series of three articles which examine and discuss NDI and its place in broadcast infrastructure.