Atomos Introduces New Shinobi II Monitor

Atomos simultaneously announces and ships Shinobi II, a slim, lightweight, high brightness, 5-inch 1500nit HDR monitor that’s perfect for vloggers, creatives and photographers. It’s available now from Atomos’ authorized resellers.

Atomos is known for inventing the Apple ProRes HDR monitor-recorder, and its Ninja and Shogun lines are market leaders in that field. Atomos’ first monitor-only device, Shinobi, was launched in 2019 and has been extremely successful, selling over 100,000 units worldwide.

“The most common requests from Shinobi users have been for camera control and a brighter HDR screen,” commented Atomos CEO Jeromy Young. “Camera control required a USB-C port for the widest-possible camera compatibility and a new, brighter screen required a redesign. So, Shinobi II has been rebuilt from the ground up for modern mirrorless/DSLR cameras and HDR or SDR video workflows, as well as amazing HDR photo shooting.”

At launch, Shinobi II will control most Canon, Panasonic, and Sony mirrorless cameras over USB-C, and Z CAM E2 models through a separate serial cable. With future firmware updates Atomos plans to support cameras from Fujifilm, Nikon, OM System and SIGMA.

The camera’s all important white balance can also be adjusted via a slider. Shinobi II conveniently triggers camera recording from its screen, a great option when your camera is mounted on a gimbal. Recording status is shown by a red edge display, irrespective of whether the recording is triggered by the camera or from the Shinobi II.

“Adding a USB-C port gave us the opportunity to restyle the Shinobi,” Young continued. “The 30% thinner body means that even though we are adding more hardware functionality, we aren’t affecting the weight of the device. Shinobi II is incredibly lightweight at just 210 grams (about 7.4 oz) and includes our innovative locking cable connectors for HDMI and USB ports, for robust and professional connectivity. We can even power the camera from the Shinobi II with PD in and out.”

The intuitive touchscreen has also been upgraded; at 1500nits peak brightness it is 50% brighter than its predecessor and supports 10-bit HDR video and photo monitoring with zero latency.

You might also like...

HDR & WCG For Broadcast: Part 3 - Achieving Simultaneous HDR-SDR Workflows

Welcome to Part 3 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 3 discusses the creative challenges of HDR…

The Resolution Revolution

We can now capture video in much higher resolutions than we can transmit, distribute and display. But should we?

Microphones: Part 3 - Human Auditory System

To get the best out of a microphone it is important to understand how it differs from the human ear.

HDR Picture Fundamentals: Camera Technology

Understanding the terminology and technical theory of camera sensors & lenses is a key element of specifying systems to meet the consumer desire for High Dynamic Range.

Demands On Production With HDR & WCG

The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.