The UK’s Most Popular Radio Stations Moves To PMC Equipped Studios

After 18 years at Wogan House, BBC Radio 2 has moved back into the nearby BBC Broadcasting House, London, and is housed in new studios designed by specialist broadcast systems integrator, IPE.
The four new studios form part of Broadcasting House’s Popular Music Hub, and this expansion brings the total number of studios in the Hub to 10. They provide facilities for the UK’s most listened to radio stations – Radio 2, Radio 1 and 6 Music.
The new facilities are largely based around an Audio over IP infrastructure, with DHD audio consoles provided in each studio. These were specified with local audio I/O to cater for periphery items, such as microphones and speakers. PMC6 active two-way monitors matched with a PMC8 Sub were used as the main studio loudspeakers.
The studios are also equipped with Radio Visualisation facilities, Live Music performance areas, DJ Positions with Pioneer DJ Decks and Technics Turntables, and an IHSE KVM System to allow operators in pairs of studios to access the necessary PCs and Playout Servers. Much of the new equipment was supplied by pro audio technology provider HHB, which worked closely with IPE to deliver hardware to meet the project timescales, despite challenging supply conditions in the wider technology market.
PMC customers now include concert halls, mastering studios and recording studios such as the world-famous Capitol Studios and Hollywood’s film scoring elite. In Germany, PMC were used for recording classical music for Deutsche Gramophon and Harmonia Mundi, while big name celebrities like Stevie Wonder, Calvin Harris, Elton John and electronic pioneers Kraftwerk choose PMC.
You might also like...
Live Sports Production: Camera To Truck
Much of the OB production infrastructure has moved to IP, but has the connectivity between the cameras and the OB or backhaul also migrated to IP?
Sports Graphics Production: The Rise Of The VP-AR Sports Studio
Live Sports Production has widely embraced Virtual & Augmented Reality techniques. Here we discuss the challenges of creating studio environments with a focus on camera motion tracking.
Big Chip Cameras For Broadcast: The History Of The Camera Sensor
Understanding the motivations and implications of using large sensors in broadcast, demands an examination of the historical relationship between cinema and broadcast camera technology & creative production techniques.
Immersive Audio 2025: The Rise Of Next Generation Audio
Immersive audio has gone spatial with the addition of height control and NGA formats to support it, and consumer demand is booming… but it is all still about the experience.
Live Sports Production: Exploring The Evolving OB
The first of our three articles is focused on comparing what technology is required in OBs and other venue systems to support the various approaches to live sports production.