Essential Guide: Location Sound Recording

May 22nd 2024 - 09:30 AM
By Kevin Emmott

This Essential Guide examines the delicate and diverse art of capturing audio on location, across a range of different types of film and television production. A group of seasoned professionals discuss their art and the how it can dramatically elevate the immersive experience for viewers.

Having covered the basics of microphone technology and microphone selection in our Audio For Broadcast book, we move on to discussing real world challenges and how to overcome them with five very different location sound recordists, who between them bring over a hundred years of experience to the conversation.

Working across film, television, entertainment, documentary, corporate and natural environments, they all use an array of recording techniques and microphones. Big ones and small ones, hidden ones and visible ones, microphones with 360° coverage and microphones that are super directional.

And although all microphones do the same job, converting vibrations into electronic signals, knowing how different microphones affect the environment they are in is where the real craft is.

And doing so invisibly is a skill which is earned.

Supported by

You might also like...

HDR & WCG For Broadcast: Part 3 - Achieving Simultaneous HDR-SDR Workflows

Welcome to Part 3 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 3 discusses the creative challenges of HDR…

The Resolution Revolution

We can now capture video in much higher resolutions than we can transmit, distribute and display. But should we?

Microphones: Part 3 - Human Auditory System

To get the best out of a microphone it is important to understand how it differs from the human ear.

HDR Picture Fundamentals: Camera Technology

Understanding the terminology and technical theory of camera sensors & lenses is a key element of specifying systems to meet the consumer desire for High Dynamic Range.

Demands On Production With HDR & WCG

The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.