Dielectric’s New DCR-E Antenna Extends Benefits Of Ring Antennas Across FM Power Range
NAB Show 2024 brings a new entry to Dielectric’s revered DCR range of FM antennas, extending the benefits of its lightweight, ring-style designs across the entire FM power range. The new DCR-E fills the gap between its lowest power (DCR-T) and higher power (DCR-C, DCR-M, DCR-S and DCR-U) ring antennas, bringing many of the same design and performance characteristics to radio stations requiring input power ratings up to 4kW per bay.
As with all DCR antennas, the DCR-E is lightweight with a robust structure and low windload, increasing long term reliability, simplifying maintenance, and reducing stress on tower and/or building structures. The design architecture is scalable to 12 bays, with each bay weighing only 18 pounds making traditional mounting and installation quick and simple.
The DCR-E element is based on the DCR-T. With this, Dielectric can produce DCR-E antennas under tight deadlines. The common parts also means Dielectric can minimize parts inventory, passing cost savings along to FM customers and making the DCR-E affordable for all FM budgets. The most notable design difference of the DCR-E is a pressurized balun, which increases its power rating by four times in comparison to the DCR-T.
Optional radomes are available to protect the DCR-E from icing and other weather-related damage.
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Operating Systems Climb Competitive Agenda For TV Makers
TV makers have adopted different approaches to the OS, some developing their own, while others adopt a platform such as Google TV or Amazon Fire TV. But all rely increasingly on the OS for competitive differentiation of the UI, navigation,…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
Broadcasters Seek Deeper Integration Between Streaming And Linear
Many broadcasters have been revising their streaming strategies with some significant differences, especially between Europe with its stronger tilt towards the internet and North America where ATSC 3.0 is designed to sustain hybrid broadcast/broadband delivery.