BT Media And Broadcast And LiveU Collaborate To Offer Live Content Capability For Broadcasters

Benefitting customers across sport, remote production, news, live events and a range of other verticals, LiveU has announced it is working with BT Media and Broadcast to offer new live content sharing capability for broadcasters.

This brings together LiveU’s Reliable Transport (LRT) protocol with BT’s wider content and distribution network, covering Internet Protocol (IP) and Serial Digital Interface (SDI), creating a seamless experience for customers.

BT Media and Broadcast moves up to 24,000 hours a day of content through its International Media Centre at BT Tower in London. Its FacilityLine works in the uncompressed SDI domain – from SD to 4K – operating as the backbone for UK broadcast services, as well as linking broadcasters and the global production community.

BT has installed LiveU receiving and decoding technology from LiveU to create direct receive and transmit capabilities. The collaboration has identified multiple use cases from LiveU users being able to quickly and easily reach takers who don’t currently use its technology, to the ability to provide additional resiliency alongside traditional fixed links using LiveU. Content takers, wherever they are in the world, can benefit from a cost-effective and ad-hoc service and still access the global hub of English language content. BT Media and Broadcast is now able to provide a simple link to live content, SDI or LRT, to smaller broadcasters/channels that don’t have a master control room or live gallery but want live content to increase viewer engagement.

It also has the ability to send/receive live feeds via LiveU Matrix, the company’s next-gen, IP cloud content sharing platform, and this will also be made available to customers in the future.

The company has also acquired multi-camera LU800 field units, expanding its in-the-field contribution options for customers. These are available for hire from BT Media and Broadcast, facilitating production where it previously wasn’t possible or was financially unviable. This also extends coverage possibilities for large scale events via private and public 5G. The units can also be used to provide premium grade redundancy. 

You might also like...

Designing IP Broadcast Systems - The Book

Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…

Demands On Production With HDR & WCG

The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.

NDI For Broadcast: Part 3 – Bridging The Gap

This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…

Designing An LED Wall Display For Virtual Production - Part 2

We conclude our discussion of how the LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in…

Microphones: Part 2 - Design Principles

Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.