LiveU’s EcoSystem Creates Enhanced Coverage Of The UCI Cycling World Championship
Cycling fans around the world benefit from dynamic, engaging live coverage of this globally celebrated event.
Eurovision Sport, the sports arm of the European Broadcasting Union (EBU), took full advantage of its ongoing relationship with LiveU at the 2023 UCI Cycling World Championships. Using solutions from across the LiveU EcoSystem, Eurovision Sport created agile, cost-effective and captivating coverage of the largest cycling event ever held, increasing the number of takers around the world for the event.
Taking place in Scotland, with Eurovision Sport’s remote Broadcast Operation Centre (BOC) situated at BBC Scotland headquartered in Glasgow, this was the first time the UCI has combined its multiple World Championships into a single, integrated event. There were 13 World Championships taking place across seven disciplines. These included mountain biking, road cycling and track (both Men’s and Women’s) alongside Para-cycling.
Franck Choquard, Head of Content & Platforms, Eurovision Sport, said, “This event was a huge project. What we were looking at was how we could use innovative technologies to be more cost-effective alongside the guarantee of resiliency in the field. Our discussions with LiveU were around two main use cases. The first was the need to bring signals back from various sites, including from motorbikes, helicopters and other moving vehicles alongside ENG teams, to the BOC, which was operated by our regular production partner Actua Films. This was undoubtedly more cost-effective than using RF and gave us the flexibility we needed. The second was to secure the contribution network with ten venues being used around Scotland with an “ultimate backup solution”. We required a resilient, IP-based solution with bonding for these, so we used LiveU, bringing back a pair of feeds from each relevant site.”
12 multi-camera LU800s, operated by Actua Films, were used in multi-camera mode, both for content acquisition and for securing signals. As Choquard added, “LiveU is ideal for use on moving vehicles with its capabilities really coming to the fore.”
In addition to contribution, Eurovision Sport and its takers benefitted from LiveU's solutions for production and distribution. Eurovision Sport has very successfully developed a hybrid model, which it used here, with SDI deployed where possible to the BOC centre, backed up by LiveU cloud services. Choquard continued, “We used both LiveU Matrix and Cloud Connect to contribute the production feeds in LRT or SRT to some of the takers. We have our Digital Content Hub, and we used this in combination with the LiveU EcoSystem. We had takers who wanted a lot of material for their digital platforms but didn’t want to spend to access satellite feeds. Our LiveU workflow was perfect for this. For several events, some takers then created their own remote productions.”
You might also like...
Live Sports Production: Part 1 - New Sports Production Workflows
Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight i…
Microphones: Part 5 - The Variable Directivity Microphone
The variable directivity microphone is very popular for studio work. What goes on inside is very clever and not widely appreciated.
Deep Learning Accelerates Object Tracking In TV Production
Advances in application motion tracking in audiovisual production, both live and recorded, have been slow until recently accelerated by the advent of modern AI techniques associated with neural network based deep learning and mathematical graph theory. These advances have converged…
The Creative Challenges Of HDR-SDR Simulcast
HDR can make choices easier - or harder - at every stage of production but the biggest challenge may be just how subjective those choices are.
A New Year Speculation On Immersion
As we head into another new year it seems ok to indulge in some obvious speculation about what the future may bring. Here we consider the proposition that eventually, and probably not far into the future, broadcasters will have to…