LYNX Technik Announces New 4K HDMI To 12G SDI Converter With Integrated Frame Synchronizer
CHD 1412 yellobrik HDMI 2.0 to 12G SDI Converter + Frame Synchronizer in Application Example.
LYNX Technik is debuting its new 4K HDMI to 12G SDI Converter with Frame Synchronizer at the IBC 2023 exhibition.
The CHD 1412 converts an HDMI 2.0 source signal (up to 4K) to an SDI signal up to 12G. It is an ideal throw-down module or system solution for any professional video and media application where users need to convert an HDMI 2.0 signal to 12G SDI in real time and without any loss in signal quality. This new yellobrik converter complements the existing CHD 1821 HDMI to SDI converter, which supports SDI resolutions up to 3G 1080p. Both modules fulfill the need for a fully synchronized SDI input from an external asynchronous HDMI source.
The integrated frame sync will synchronize, and frequency lock the incoming signal to a broadcast station’s reference signal and allows for precise timing adjustments. This is especially useful when asynchronous HDMI sources are required in a broadcast environment. All embedded PCM audio is passed transparently from the HDMI input and embedded in the SDI output, which can be overwritten with external audio if necessary. As with many yellobriks, an SDI fiber output is available in various SFP options.
For an integrated yellobrik system solution, the new CHD 1412 yellobrik can be rack mounted with other yellobriks in the RFR 1000-1 or the new RFR 1200 rack frames. All local controls are conveniently available on the module itself, and the module is fully compatible with the LYNX Technik yelloGUI and LynxCentraal software for advanced settings, control, and configuration.
You might also like...
Designing IP Broadcast Systems
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…
Microphones: Part 2 - Design Principles
Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.
Expanding Display Capabilities And The Quest For HDR & WCG
Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.