EditShare Provides Comprehensive Workflow Flexibility For Directors Cut
Directors Cut Films grading suite.
London post house uses EditShare Universal Projects to move work through the facility.
EditShare recently provided a large-scale storage network for Directors Cut Films, a leading London post house specializing in long-form content, with a particularly strong reputation in documentaries and entertainment. The new installation, which replaced a proprietary storage system, provides seamless transfer of projects between all the operational rooms.
Directors Cut, based in central London, currently houses 34 offline Avid suites, five online editing rooms which support Adobe Premiere Pro and DaVinci Resolve as well as full-featured Avid, three audio suites and a large grading theater with Baselight 2. With the increased demands of Dolby Vison and Dolby Atmos, when looking for a new storage network, it was vital that it should not only provide the capacity and bandwidth to support all these rooms, it had to provide the ability to move projects from stage to stage, and from software package to software package, seamlessly and transparently.
The storage system itself provides more than a petabyte of usable storage. It consists of five nodes each of 256 terabytes, configured to provide the highest levels of resilience and eliminating any single point of failure. The resilience built in also includes duplicated metadata controllers and high speed, fiber ethernet switches. A sixth EditShare node is also included, in a high security environment, to provide external access for receipt of content from locations, for remote log-ins, and for delivery.
FLOW, the EditShare production asset management platform, is a vital part of the workflow structure. This is visible to clients, who use it to prepare material, monitor progress and review and approve cuts. FLOW provides open interconnectivity, allowing clients to tag and prepare content using standard tools like Excel, with FLOW managing those inputs and translating it into assembling the right content in the right format for each editor.
You might also like...
Expanding Display Capabilities And The Quest For HDR & WCG
Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.
Standards: Part 20 - ST 2110-4x Metadata Standards
Our series continues with Metadata. It is the glue that connects all your media assets to each other and steers your workflow. You cannot find content in the library or manage your creative processes without it. Metadata can also control…
Delivering Intelligent Multicast Networks - Part 2
The second half of our exploration of how bandwidth aware infrastructure can improve data throughput, reduce latency and reduce the risk of congestion in IP networks.
If It Ain’t Broke Still Fix It: Part 1 - Reliability
IP is an enabling technology which provides access to the massive compute and GPU resource available both on- and off-prem. However, the old broadcasting adage: if it ain’t broke don’t fix it, is no longer relevant, and potentially hig…
NDI For Broadcast: Part 2 – The NDI Tool Kit
This second part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to exploring the NDI Tools and what they now offer broadcasters.