Nilento Studios Goes Immersive With Genelec’s ‘The Ones’

Founded by Lars Nilsson, Nilento Studios was created to be an ultra-flexible space that can adapt to the broad requirements of its customers. The latest example of this philosophy is the addition of Atmos recording with a new setup relying heavily on Genelec’s The Ones three-way coaxial studio monitors.

Nilento’s studio space offers changeable acoustics; its main live room can be converted into four smaller rooms, including two Iso Booths, to give a total of six recording spaces. This enables it to transform from a big-band environment into a room suitable for a choir, a piano trio or a soloist.

Nilento also has three separate control rooms to provide even more options; one is an analogue room outfitted with a stereo pair of Genelec 1030monitors, while another is a digital recording room with a stereo pair of 1031s. The main control room is something else entirely. Designed for mixing full Dolby Atmos, the room features a Genelec 7.1.4 Smart Active Monitoring system calibrated with GLM software.

Nilsson’s main control room doesn’t feature a large mixing console, and the heart of his system is a Pro Tools MTRX interface with a range of I/O across multiple formats. The monitoring setup comprises eleven of the 8341three-way coaxial monitors, plus a 7370 subwoofer.

Nilsson’s approach to mixing in Atmos is to place individual instruments in different spaces as objects, which he says creates a much more emotional connection to the music. “I knew Atmos was a format I wanted to work in because I’ve produced a lot in 5.1 surround and I always missed the height element. Because I work a lot with classical music I often record in churches and big halls, so I’ve always searched for more depth in my mixes. Atmos is a totally natural solution because the depth is already in there.

You might also like...

HDR & WCG For Broadcast - The Book

‘HDR & WCG For Broadcast – The Book’ is a multi-article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut within broadcast production.

Monitoring & Compliance In Broadcast: Part 1 - Cloud, Multi-Site & Remote Systems

‘Monitoring & Compliance In Broadcast’ explores how exemplary content production and delivery standards are maintained and legal obligations are met. The series includes four Themed Content Collections, each of which tackles a different area of the media supply chain. Part 1 con…

The Ultimate Compression Technology?

Our resident provocateur Dave Shapton speculates on the nature of compression and its potential future evolutionary path.

Live Sports Production: Control Room Teams & Workflow

Why the composition and workflow of the gallery creative team have remained largely unchanged for many years… and the effort taken by engineering to support creative teams.

Microphones: Part 7 - Microphones For Stereophony

Once the basic requirements for reproducing sound were in place, the most significant next step was to reproduce to some extent the spatial attributes of sound. Stereophony, using two channels, was the first successful system.