ZDF Deploys Apantac KVM Over IP Solutions For Remote Production Of World Cup
MPE NBC Control Room, using Apantac KVM over IP Solutions to control computers & servers from a single console – display, mouse & keyboard.
ZDF, a German public service television broadcaster produced and showed the World Cup live in Germany on free-to-air television. The games production was handled remotely at the National Broadcasting Center (NBC) located at ZDF in Mainz, rather than on-site in Qatar.
IP technology and its adoption within the Broadcast environment has been a game changer for KVM technology. For this project, MPE (“mobile production unit” founded and driven by ARD and ZDF) purchased more than one hundred and fifty KVM over IP transmitters (Tx) and receivers (Rx) and “free flow” software licenses from Apantac.
MPE chose the Apantac KVM over IP Extender/Receiver solutions so that its technical team can extend and switch video signals, keyboard and mouse functions, as well as embedded and analog audio signals over IP. Operators can access all computers and servers on the network from any display, keyboard and mouse consoles. The receivers allow scaling of the incoming video to match the resolution of the computer console monitor, regardless of the source computer resolution. The “free flow” licenses allow operators to control up to four consoles from a single keyboard and mouse by simply moving the mouse pointer across the different displays.
In addition, a KVM over IP Transmitter Firmware has been specially designed for this project. This Firmware adds an extra 3840x1080 EDID to the Tx module, which addresses MPE’s need to display two computers (top and bottom) on a single 16:9 UHD monitor.
You might also like...
IP Security For Broadcasters: Part 1 - Psychology Of Security
As engineers and technologists, it’s easy to become bogged down in the technical solutions that maintain high levels of computer security, but the first port of call in designing any secure system should be to consider the user and t…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
If It Ain’t Broke Still Fix It: Part 2 - Security
The old broadcasting adage: ‘if it ain’t broke don’t fix it’ is no longer relevant and potentially highly dangerous, especially when we consider the security implications of not updating software and operating systems.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…