Genelec Helps Forbes Street Become Australia’s Go-to Atmos Mixing Destination
Once logged in you can set content preferences to let us know what you are interested in and whether you want to receive email from us.
Already Registered? Login
The Forbes Street Studios Immersive Room.
The increasing commercial demand for Dolby Atmos mixes has led to Forbes Street Studios in Sydney’s Woolloomooloo joining the spatial audio movement, by creating an immersive mixing environment in its main studio – complete with a 9.1.4 Genelec Smart Active Monitoring system.
To create the Dolby Atmos space, the Forbes Street team called in Sound Spaces as the acoustic consultant and Sounds Easy to supply the equipment, working closely with local Genelec distributor Studio Connections. It was the Atmos specifications that led to the selection of the thirteen 8351 three-way coaxial monitors and 7382 subwoofer that combine to form the 9.1.4 system.
Genelec’s GLM 4 software was used to initially calibrate the speakers, and the value of GLM’s loudspeaker management has been seen with its continued daily use at Forbes Street.
The decision to use the same model of studio monitors for all of the channels, aside from the sub, was one based on trying to make the sound of the space as ‘true’ as possible.
With the Atmos mixing facility configured and open, Forbes Street has seen a steady flow of immersive work. Projects for BENEE, Hilltop Hoods, Vera Blue, Lee Kernaghan, Havana Brown, Meg Mac and Dragon, plus INXS with playbacks of ‘Kick’ and ‘The Very Best Of’ albums, all have benefitted from this new Atmos Genelec installation.
You might also like...
Designing IP Broadcast Systems
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…
Designing An LED Wall Display For Virtual Production - Part 2
We conclude our discussion of how the LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in…
Microphones: Part 2 - Design Principles
Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.
Expanding Display Capabilities And The Quest For HDR & WCG
Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.