Samyang Unveils Its New V-AF Lens Family For Sony Full-Frame Mirrorless Cameras
The first lens from this new line-up is the V-AF 75mm T1.9.
Samyang’s new V-AF family has been designed specifically for video creators, to make content creation more convenient.
Samyang Optics, a global optical brand distributed exclusively by Holdan in the UK and Ireland, announces the new V-AF lens family, designed for Sony E-Mount full-frame cameras.
They will release four more lenses – 20mm, 24mm, 35mm & 45mm - before the end of 2023.
V-AF Key Features
- Unified form factor
- Compact & lightweight
- Supports resolutions up to 8K
- All lenses in the family are colour-matched
Unified form factor that’s compact & light
All V-AF lenses provide greater compatibility with gimbals and drones because they all have the same form factor across 5 different focal lengths (ultra-wide to medium-telephoto). Compact dimensions of 73mm x 70mm and a light weight of less than 300g, means there is no need to re-set equipment when changing lenses.
Tally lamp for enhanced functionality
The tally lamp located on the front of the lens indicates to the presenter whether video is being recorded or not. It means video content creation is more convenient, even in small spaces and without a lot of equipment.
Supports colour-matched 8K recording
The new V-AF series supports resolutions up to 8K and all lenses are colour-matched to avoid shifts when swapping lenses. Nine aperture blades create a superb, natural-looking bokeh.
Custom Switch & Button
The lens features a custom switch and button that enables access to video-specific functions, such as Focus Save, quickly and easily.
The new V-AF 75mm T1.9 and its full series will be unveiled for the first time at IBC 2022.
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…
Designing An LED Wall Display For Virtual Production - Part 2
We conclude our discussion of how the LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in…
Microphones: Part 2 - Design Principles
Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.