Remote Picture Labs Introduces RPL Platform For High-Performance Post-Production Workflows Anywhere
Remote Picture Labs has introduced the RPL Platform, a modular offering of cloud-based post-production solutions that bring unprecedented flexibility, uncompromising performance, and unparalleled efficiency to workflows from pre-production through delivery.
The RPL Platform seamlessly shifts decentralized post-production teams to more agile remote workflows, enabling them to use the same tools and software products on existing media and projects.
The central offering within the Platform is RPL Edit, which leverages RPL’s fault-tolerant private cloud and high-performance workstations — running Avid or Adobe applications — to provide a hybrid on-prem/remote editing solution that enables full collaboration between team members, no matter where they’re located. RPL can receive content from any worldwide secure source and make it available to creatives working anywhere. Thanks to ultra-fast 10Gb connectivity and secure transport using PCoIP technology, editors and producers can enjoy picture, audio, and system response identical to that of a traditional editing bay.
Other modules currently available within the RPL Platform include RPL Dailies, RPL Finish, and RPL Archive, which facilitates archiving of projects in any format and rapid restores of archived projects as needed. Any of these RPL Platform modules can be implemented as a stand-alone solution or with other modules as part of a larger post-production workflow. RPL works closely with customers to customize just the right solution for every project and scale it to address new creative team additions, increased processing demands, and other changes to the collaborative work environment.
With decades of experience in digital post-production workflows, the RPL team provides exceptional IP-centric service and support. Managing all the technical details for every RPL Platform solution, RPL frees producers, editors, and other creatives to focus on what they do best: telling stories.
You might also like...
IP Security For Broadcasters: Part 1 - Psychology Of Security
As engineers and technologists, it’s easy to become bogged down in the technical solutions that maintain high levels of computer security, but the first port of call in designing any secure system should be to consider the user and t…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
If It Ain’t Broke Still Fix It: Part 2 - Security
The old broadcasting adage: ‘if it ain’t broke don’t fix it’ is no longer relevant and potentially highly dangerous, especially when we consider the security implications of not updating software and operating systems.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…