NUGEN’s Loudness Plug-ins Prove Essential For Re-recording Mixer James Wichall

Re-recording Mixer James Wichall serves as a dialogue editor for various TV and film projects including the children’s TV series Teletubbies and Bot and the Beasties and independent and short films, including Fantastic Beasts and Trainspotting 2. To help support his busy lineup of mixing projects, James relies on NUGEN Audio’s Loudness Toolkit and Halo Upmix and Downmix software.

When it comes to mixing projects, Wichall says he integrates NUGEN’s VisLM and ISL plug-ins throughout the entire process, be it for a heavy mix or something lighter where he is tweaking tracks―such as spreading them out more or adding reverb as needed. Regardless of the job size, Wichall relies on VisLM and ISL to meet compliance standards, while also retaining the creativity of the audio he is working on.

Wichall says that when he first began to use NUGEN’s loudness tools, the ease-of-use and intuitiveness of the visual meters made the transition from Peak Program Meters (PPM) a breeze. “I love that all of the visual settings aren’t hidden away and that everything’s just there, ready for me,” he continues. “If there’s too many graphics and other things going on, it can kill your computer’s performance. My focus should be on the sound, not the visuals. NUGEN managed to find a great balance in its interface―between form and function.”

Wichall also heavily relies on LM-Correct as he says it is a huge time saver to meet loudness standards. “The LM-Correct plug-in is not overly complex, it just does what it needs to do and saves so much time,” he explains. “Prior to using it, I was metering the audio on my mixes and then just gaining stuff up and down until they matched the way I wanted. LM-Correct just does that for you. It’s a huge time saver and definitely worth the money.”

You might also like...

IP Security For Broadcasters: Part 9 - NMOS Security

NMOS has succeeded in providing interoperability between media devices on IP infrastructures, and there are provisions within the specifications to help maintain system security.

Automating HDR-SDR Conversion

Automation seems like an obvious solution but effective conversion involves understanding what the image content is and therefore what the priorities are for how it should look.

IP Security For Broadcasters: Part 8 - RADIUS Network Access

Maintaining controlled access is critical for any secure network, especially when working with high-value media in broadcast environments.

Live Sports Production: Part 1 - New Sports Production Workflows

Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight i…

Microphones: Part 5 - The Variable Directivity Microphone

The variable directivity microphone is very popular for studio work. What goes on inside is very clever and not widely appreciated.