Anton/Bauer Expands DIONIC 26V Battery Series
Batteries, chargers and camera brackets deliver high power performance with Anton/Bauer safety and reliability.
A range of B-Mount batteries, chargers and camera plates have been developed in cooperation with ARRI, for cinematographers, rental houses, and content creators using cameras such as the recently launched ARRI Alexa 35.
Just like Anton/Bauer’s existing 26V Gold-Mount Plus solution, the native 26V B-Mount Li-ion batteries offer up to 240 watt-hours of reliable, safe, and efficient power.
The DIONIC native 26V range now includes 98-watt-hour and 240-watt-hour batteries and quad chargers in B-Mount or Gold-Mount Plus options, plus a range of mounting plates for connecting to industry-leading cameras and LED lighting fixtures.
The DIONIC 26V B-Mount series has been designed to drive high-power cine cameras such as the ARRI Alexa 35. With their lighter weight and more compact form factor, the DIONIC 26V batteries offer greater mobility for high power camera operators than tethered power sources such as AC or block-style batteries. DIONIC 26V batteries can also be used as a hot-swappable backup power solution for gear running from large power sources, such as VCLX block-style batteries, eliminating the need to power down a camera to change the main power source.
The DIONIC 26V B-Mount Charger offers rapid charging for B-Mount 26V batteries — charging the 98Wh battery in around 1.5 hours and the 240Wh battery in around 3.5 hours.
Like the other batteries in the Anton/Bauer DIONIC range, DIONIC 26V B-Mount batteries feature an ultra-high-strength polycarbonate blend construction. This protects the premium battery cells to ensure peak performance even in the most demanding conditions — including extreme heat, humidity, and cold.
You might also like...
Monitoring & Compliance In Broadcast: Monitoring Cloud Infrastructure
If we take cloud infrastructures to their extreme, that is, their physical locality is unknown to us, then monitoring them becomes a whole new ball game, especially as dispersed teams use them for production.
Phil Rhodes Image Capture NAB 2025 Show Floor Report
Our resident image capture expert Phil Rhodes offers up his own personal impressions of the technology he encountered walking the halls at the 2025 NAB Show.
The DOP As Sound Recordist: 32-BIT Float Is Our Godsend
As a cinematographer with several decades of experience on feature films and large broadcast projects, my current work on smaller productions and documentaries has increasingly added the duties of a sound recordist, and with it a greater appreciation for 32-bit…
Microphones: Part 9 - The Science Of Stereo Capture & Reproduction
Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.
Monitoring & Compliance In Broadcast: Monitoring Cloud Networks
Networks, by their very definition are dispersed. But some are more dispersed than others, especially when we look at the challenges multi-site and remote teams face.