Bridge Technologies Integrates SR Live Metadata Into VB440
Bridge Technologies has announced the integration of a new functionality to the VB440 that provides the ability to monitor and display SR Live Metadata directly within the VB440’s GUI.
The VB440’s inclusion of this monitoring ability currently represents a new and the latest third-party hardware able to accommodate and monitor using Sony’s SR Live for HDR technology in the context of both live and post-production broadcast.
This addition is very much in line with the raft of developments that have been made to the VB440 over the past two years. Bridge’s leading production-based IP probe has seen a host of expansions which have led to its development as an increasingly holistic tool that serves creatives, producers, technicians and broadcast executives alike, in a range of production contexts. The addition of SR Live Metadata capabilities represents yet one more expansion to the multitude of tools, standards and formats which the VB440 can not only monitor, but turn into meaningful and usable data for creatives to use on-the-fly in remote and live production settings.
Concerned as they are with simultaneous HDR and SDR delivery, the SR Live Metadata is perfectly aligned with the VB440’s increasing focus on facilitating dual HDR/SDR production. SR Live Metadata can be embedded in SDI signals, MXF files, and IP networks, and by combining with compatible products, it is possible to simplify operations and prevent setting mistakes during conversion. Thus, the purpose of SR Live Metadata within the VB440 is to register the creative decisions and adjustments from the cameras during production, from which the data can then be checked to ensure that the quality of signals and packet behaviours across the broadcast chain - from the initial camera output, all the way along the chain through switches, encoders and other network components - matches that which was originally defined by camera shaders at the point of production. Providing this initial point of reference in relation to SR Live Metadata direct from cameras on the network makes the identification of potential issues further down the chain clearer, easier and more efficient.
The focus of Bridge Technologies is to support Sony’s SR Live for HDR technology to push the boundaries of HDR production. The technology pursues the ability to do more with less, using single production crews to deliver outputs which can be flexibly distributed according to a range of standards and needs. This sits at the heart of the VB440’s mission statement, which is to eliminate the need for complex (and expensive) additional rack equipment and display monitors, and instead allow for a holistic suite of production activities to be undertaken through nothing more than an HTML5 browser.
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Operating Systems Climb Competitive Agenda For TV Makers
TV makers have adopted different approaches to the OS, some developing their own, while others adopt a platform such as Google TV or Amazon Fire TV. But all rely increasingly on the OS for competitive differentiation of the UI, navigation,…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
Broadcasters Seek Deeper Integration Between Streaming And Linear
Many broadcasters have been revising their streaming strategies with some significant differences, especially between Europe with its stronger tilt towards the internet and North America where ATSC 3.0 is designed to sustain hybrid broadcast/broadband delivery.