Shotoku Unveiled Its Compact TG-47 Camera Support At NAB

The TG-47 is designed for smaller cameras that need the strength and power of a traditionally larger PT head packed into a compact footprint.

Aimed at mid-sized payloads of up to 48lbs/22kg, the TG-47 combines the size of Shotoku’s TG-27 with the power of its TG-18.  

At its core is the same advanced digital servo systems of the well-established TG-27 providing exceptional on-air performance at a wide range of speeds. As with all Shotoku products, the TG-47 can be optionally supplied with full VR/AR support as well.

The head is ideal for smaller national or regional studios where production values demand the quality and performance of broadcast cameras and lenses, and where a typical 15-17” teleprompter is required. These environments generally don’t require manual pan-bar control or large camera configurations with viewfinders, hand controls and talent monitors. The head can be mounted on a manual pedestal or tripod or used in combination with Shotoku’s TI-11 elevator to create a powerful and highly cost-effective PTZF&H package.

The TG-47 is also a perfect match for Shotoku’s SmartRail ceiling track system – providing a solution for ceiling mounted cameras with track-dolly movement and a long robotic descender column, but still supporting a usefully-sized teleprompter for the presenter’s use. 

The new design allows for easy maintenance with removable lightweight moulded covers providing simpler construction and complete freedom of access to the internal components - as well as an attractive new appearance. The centralized connector panel combines all the necessary network and power connectivity as well as a lens control and general-purpose IO in one convenient place.

“The TG-47 brings benefits to a wide range of applications found in today’s ever-changing studio designs,” says James Eddershaw, CEO of Shotoku USA. “It is perfect for those that demand superior performance from a small unit but won’t compromise on quality.” 

You might also like...

Monitoring & Compliance In Broadcast: Monitoring Cloud Infrastructure

If we take cloud infrastructures to their extreme, that is, their physical locality is unknown to us, then monitoring them becomes a whole new ball game, especially as dispersed teams use them for production.

Phil Rhodes Image Capture NAB 2025 Show Floor Report

Our resident image capture expert Phil Rhodes offers up his own personal impressions of the technology he encountered walking the halls at the 2025 NAB Show.

The DOP As Sound Recordist: 32-BIT Float Is Our Godsend

As a cinematographer with several decades of experience on feature films and large broadcast projects, my current work on smaller productions and documentaries has increasingly added the duties of a sound recordist, and with it a greater appreciation for 32-bit…

Microphones: Part 9 - The Science Of Stereo Capture & Reproduction

Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.

Monitoring & Compliance In Broadcast: Monitoring Cloud Networks

Networks, by their very definition are dispersed. But some are more dispersed than others, especially when we look at the challenges multi-site and remote teams face.