Shotoku Unveiled Its Compact TG-47 Camera Support At NAB

The TG-47 is designed for smaller cameras that need the strength and power of a traditionally larger PT head packed into a compact footprint.

Aimed at mid-sized payloads of up to 48lbs/22kg, the TG-47 combines the size of Shotoku’s TG-27 with the power of its TG-18.  

At its core is the same advanced digital servo systems of the well-established TG-27 providing exceptional on-air performance at a wide range of speeds. As with all Shotoku products, the TG-47 can be optionally supplied with full VR/AR support as well.

The head is ideal for smaller national or regional studios where production values demand the quality and performance of broadcast cameras and lenses, and where a typical 15-17” teleprompter is required. These environments generally don’t require manual pan-bar control or large camera configurations with viewfinders, hand controls and talent monitors. The head can be mounted on a manual pedestal or tripod or used in combination with Shotoku’s TI-11 elevator to create a powerful and highly cost-effective PTZF&H package.

The TG-47 is also a perfect match for Shotoku’s SmartRail ceiling track system – providing a solution for ceiling mounted cameras with track-dolly movement and a long robotic descender column, but still supporting a usefully-sized teleprompter for the presenter’s use. 

The new design allows for easy maintenance with removable lightweight moulded covers providing simpler construction and complete freedom of access to the internal components - as well as an attractive new appearance. The centralized connector panel combines all the necessary network and power connectivity as well as a lens control and general-purpose IO in one convenient place.

“The TG-47 brings benefits to a wide range of applications found in today’s ever-changing studio designs,” says James Eddershaw, CEO of Shotoku USA. “It is perfect for those that demand superior performance from a small unit but won’t compromise on quality.” 

You might also like...

Disruptive Future Technologies For HDR & WCG

Consumer demands and innovations in display technology might change things for the future but it is standardization which perhaps holds the most potential for benefit to broadcasters.

Microphones: Part 6 - Omnidirectional Response In Practice

Having looked at how microphones are supposed to work, here we see that what happens in practice isn’t quite the same because the ideal and the actual are somewhat different.

Live Sports Production: The Rise Of Remote Hybrid Workflows

A discussion of the rise of remote production, why OB workflows remain first choice in tier one production and the emergence of new hybrid workflows.

Automating HDR-SDR Conversion

Automation seems like an obvious solution but effective conversion involves understanding what the image content is and therefore what the priorities are for how it should look.

Live Sports Production: Part 1 - New Sports Production Workflows

Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight i…