Sony Announce New UWP-D Wireless Mic Series

Sony Electronics has launched a new URX-P41D two-channel portable receiver, supporting MI (Multi Interface) shoe with Digital Audio Interface.

The URX-P41D, boasts all the key features included in the 4th Generation UWP-D Series, such as improved high sound quality from Digital Audio Processing, NFC Sync for quick and easy set-up from Receiver to Transmitter and functions such as Auto Gain mode and Output level control, making the job of recording sound even easier.

As part of the market leading UWP-D Series, the URX-P41D will work with all UWP-D transmitters (backwards compatible with previous generations) and will be available as a stand-alone receiver and as part of a new kit, the UWP-D27, which will include two UTX-B40 Bodypack Transmitters.

The URX-P41D is ideal for many users ranging from broadcast and news productions, to run and gun style interviews, or documentaries and series productions, using Sony’s XDCAM camcorders, Alpha interchangeable lens cameras and select Cinema Line cameras1.

Key new features include:

1.  Digital audio interface to improve sound quality

  • Sony’s Digital Audio Processing, which uses DSP (digital signal processing) for digital companding, improves sound quality by optimizing a time-constant range between the transmitter and receiver, making the reproduction of sound more accurate. It provides superb transient response performance which for enables clear and crisp audio for interview style recording.
  • Using the SMAD-P5 MI shoe adaptor enables direct digital audio recording and delivers high sound quality with low noise by skipping the D/A and A/D process. This interface is compatible with a wide range of Sony’s XDCAM camcorders, Alpha interchangeable lens cameras and Cinema Line cameras. It also integrates seamlessly with Sony’s camcorders and displays audio information on the viewfinder for enhanced usability in the field. 

2.  “NFC SYNC” function to allow quick and easy channel setting

  • Simple and quick channel setting for reliable RF transmission when time pressure is high is becoming crucial. Delivering enhanced usability, the unique “NFC SYNC” feature is designed for easy and fast frequency setting. By simply holding the NFC SYNC button on the receiver for a few seconds, it automatically scans the appropriate frequency. Thereafter, just touching the receiver to the transmitter will sync the channel for optimum speed and efficiency.
  • A new ‘all band’ scanning feature utilizing the NFC pairing function makes quickly finding the two best channels easy, regardless of location. Additionally, sequential pairing simplifies the process further by assigning each frequency to two transmitters in one function.

3.  Compact form factor, with improved ergonomics

  • By reducing the size of the receiver from previous generations, the URX-P41D can sit on top of the camera or ILC attached to the MI shoe or cold shoe allowing for improved balance on the camera.

4.  External Microphone Input and Three-channel mixing function

  • The External Microphone Input for an additional wired microphone widens the sound capture options. Three-channel audio recording is available by using a Sony lavalier microphone through the external microphone input. Furthermore, four-channel audio recording is also possible when using a stereo microphone through the external microphone input.

5.  Stable RF reception2

  • The URX-P41D can reduce interruptions in reception (RF signal dropout), by utilizing a space diversity reception system, which achieves highly stable reception because of its two receiving antennas. The angle of the antennas on the portable receiver can also be adjusted, which helps to further eliminate signal dropout.

Functions to improve performance when on location

  • Auto gain mode and Output level control brings the user peace of mind that the audio levels are correct when out in the field. Auto gain will help to prevent any unwanted distortion and Output level control (when using XLR cable) allows the user to increase the output level where necessary.

  1. Please visit Sony’s website to check compatibility between SMAD-P5 and applicable camcorders and cameras for Digital Output through the MI Shoe.
  2. Higher stability, true diversity reception in single channel operation mode.

You might also like...

Designing IP Broadcast Systems - The Book

Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…

Demands On Production With HDR & WCG

The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.

NDI For Broadcast: Part 3 – Bridging The Gap

This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…

Designing An LED Wall Display For Virtual Production - Part 2

We conclude our discussion of how the LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in…

Microphones: Part 2 - Design Principles

Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.