WDAY-TV Equips Sports Production Truck With JVC GY-HC900 Broadcast Cameras

JVC’s GY-HC900 CONNECTED CAM delivers superior image quality with streamlined workflow for North Dakota State University Football and Basketball Games.

When Forum Communications’ ABC affiliate WDAY-TV became the official broadcast home of North Dakota State University Bison football and basketball games, Chief Engineer David Johnson and his crew designed and built a sports production truck to capture all the exciting collegiate action.

With a large-scale truck came the need for bigger cameras and Johnson found the solution in the GY-HC900 CONNECTED CAM Broadcast Camcorder from JVC Professional Video, a division of JVCKENWOOD USA Corporation.

A long-time user of JVC, Johnson knew the GY-HC900 would be the right camera for the job. “We have deployed JVC for over a decade and they continue to manufacture top-of-the-line cameras that work incredibly well,” he says. “With its advanced technology and capability to handle bigger lenses, the JVC GY-HC900 was exactly what we were looking for in a camera. Football and basketball productions are growing in scale and the GY-HC900 allows us to handle whatever size production we need.”

In all, WDAY purchased four GY-HC900 cameras along with the brand’s VF-HP900G/SK-900J Studio Viewfinder kits, KA-EN200G H.265/HEVC adapters, and the BR-DE900 decoder for working with native H.265 SRT streams. Johnson also utilizes a Fujinon 2/3-inch network specification box and ENG lenses in his fleet.

“When we built the NDSU Bison sports production truck, we knew JVC would be part of the build,” adds Johnson. “The GY-HC900 allows us to broadcast with a clarity that rivals any sports production today. In addition, live streaming to the NDSU and WDAY websites is now much more efficient when using the HEVC/H.265 plug-in encoder.”

In addition to NDSU sports, Johnson plans to use the truck for various high school sports productions, including local area hockey, basketball and golf events.

You might also like...

Automating HDR-SDR Conversion

Automation seems like an obvious solution but effective conversion involves understanding what the image content is and therefore what the priorities are for how it should look.

Live Sports Production: Part 1 - New Sports Production Workflows

Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight i…

Microphones: Part 5 - The Variable Directivity Microphone

The variable directivity microphone is very popular for studio work. What goes on inside is very clever and not widely appreciated.

Deep Learning Accelerates Object Tracking In TV Production

Advances in application motion tracking in audiovisual production, both live and recorded, have been slow until recently accelerated by the advent of modern AI techniques associated with neural network based deep learning and mathematical graph theory. These advances have converged…

The Creative Challenges Of HDR-SDR Simulcast

HDR can make choices easier - or harder - at every stage of production but the biggest challenge may be just how subjective those choices are.