FUJIFILM Launches New 4K Lens And Zoom Rate Demand Unit
FUJINON ERD-50A-D01 (ERD-50A).
The “FUJINON UA107x8.4BESM-T45” (UA107x8.4), is a 4K-compatible broadcast lens equipped with a new image-stabilisation mechanism and customisation capabilities, and the zoom rate demand unit “FUJINON ERD-50A-D01” (ERD-50A) features a large LCD panel.
The UA107x8.4 is a 107x zoom model with a newly-redesigned image-stabilisation mechanism and makes 4K video-shooting easier than ever when combined with the ERD-50A.
The new UA107x8.4 is a 4K-compatible broadcast lens that offers an ultra-high 107x magnification zoom, covering the focal length range from 8.4 mm to 900 mm. Equipped with the newly-redesigned image-stabilisation mechanism with enhanced performance, the new lens can accurately correct image blurs caused by winds or shaking of the footing without any time lag, providing added stability in video shooting. It is newly equipped with a built-in LCD panel, which allows users to adjust shooting settings in detail.
The ERD-50A is a zoom rate demand unit that features a highly-visible LCD panel and a four-way operation button for intuitive and uncomplicated operability. When combined with the UA107x8.4, the unit allows users to choose the zoom curve optimum to a given shooting scene out of 200 options*1 zooming in to an athlete swiftly and accurately for dynamic live sport coverage or delivering ultra-slow and smooth zooming into a musician for expressive live music coverage. The unit also carries an AUX button, to which a frequently used function can be assigned, and comes with a display for checking shooting settings, including functions assigned to the AUX button and the on / off status of image stabilisation, whilst shooting video.
Fujifilm is introducing the UA107x8.4 and ERD-50A, which enhance the usability of 4K video systems, to cater to the ever-increasing demand for easier high-definition video production.
The two products will be released in late November 2021.
*1 These options are also available when the unit is combined with the 4K-compatible broadcast zoom lens.
You might also like...
Expanding Display Capabilities And The Quest For HDR & WCG
Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.
NDI For Broadcast: Part 2 – The NDI Tool Kit
This second part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to exploring the NDI Tools and what they now offer broadcasters.
HDR & WCG For Broadcast: Part 2 - The Production Challenges Of HDR & WCG
Welcome to Part 2 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 2 discusses expanding display capabilities and…
Great Things Happen When We Learn To Work Together
Why doesn’t everything “just work together”? And how much better would it be if it did? This is an in-depth look at the issues around why production and broadcast systems typically don’t work together and how we can change …
Microphones: Part 1 - Basic Principles
This 11 part series by John Watkinson looks at the scientific theory of microphone design and use, to create a technical reference resource for professional broadcast audio engineers. It begins with the basic principles of what a microphone is and does.