Oman TV Chooses Ikegami Cameras For OB Production

Ikegami says its HDK-73 3-CMOS high dynamic range camera systems plus a Hi-Motion II slow-motion camera have been chosen by Oman TV for integration with an outside broadcast production vehicle.

Operating from Oman TV’s headquarters in Muscat, the vehicle will be deployed for live coverage of events throughout the sultanate. The kit was supplied by Ikegami Electronics Europe via local integrator Al Nemer Al Aswad.

"This investment forms part of a technology upgrade designed to maximise production quality and operational versatility," comments the senior engineer of the OB vehicle department at Oman TV. "We have had very good experience with Ikegami equipment over the years, both in terms of product specification and proven reliability, backed by a high level of support from the Ikegami ME team.”

They added, "The HDK-73's ability to capture HDR video has particularly strong potential for OB production where camera operators have to handle a very high difference in brightness between sunlit sky and shaded areas of locations such as sports arenas.”

Ikegami has provided six of the cameras which can be pedestal mounted for use with long-range telescopic lenses, tripod mounted in specific locations or shoulder-mounted for informal close-ups. Oman TV has also integrated Ikegami BS-98 optical-fibre transmission links to OCP-300 operator control panels inside the vehicle.

"Supplementing the HDK-73 cameras, the Hi-Motion II allows us to capture images at up to 1,000 frames per second for slow-motion replay. It also provides full remote control plus flicker-suppression and paint."

You might also like...

Expanding Display Capabilities And The Quest For HDR & WCG

Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.

NDI For Broadcast: Part 2 – The NDI Tool Kit

This second part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to exploring the NDI Tools and what they now offer broadcasters.

HDR & WCG For Broadcast: Part 2 - The Production Challenges Of HDR & WCG

Welcome to Part 2 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 2 discusses expanding display capabilities and…

Great Things Happen When We Learn To Work Together

Why doesn’t everything “just work together”? And how much better would it be if it did? This is an in-depth look at the issues around why production and broadcast systems typically don’t work together and how we can change …

Microphones: Part 1 - Basic Principles

This 11 part series by John Watkinson looks at the scientific theory of microphone design and use, to create a technical reference resource for professional broadcast audio engineers. It begins with the basic principles of what a microphone is and does.