Harvard University Athletics Enhances Broadcast Audio With Studio Technologies

Harvard University Athletics has grown its sports broadcasts significantly over the last few years, doubling online viewership and establishing partnerships with ESPN and other national and regional networks. To help deliver excellent audio during these productions, Harvard turns to products from Studio Technologies, manufacturer of high-quality audio, video, and fiber-optic solutions.

Units like the Model 204 and Model 230 Announcer’s Consoles, Model 45A Audio Interface, and Model 45DC Intercom Interface have enabled student-led production teams to run about 300 pro-level broadcasts across 42 teams each year, including football, basketball, skiing, rowing, fencing, and more.

Imry Halevi, Assistant Director of Athletics at Harvard, specifically highlighted the Model 230 Announcer’s Console, which has been the “workhorse for all Harvard’s productions.” The tabletop unit serves as an audio control “hub” for announcers, commentators, and production personnel. Halevi said games typically have two commentators who use Model 230 units while live on air, and to communicate with production personnel behind the scenes.

Harvard has also leveraged the Model 45A Audio Interface for additional flexibility with offsite audio sources. Halevi cited broadcasts for skiing carnivals in New Hampshire and Vermont, when production personnel weren’t able to communicate with camera operators via a phone call or Zoom. Using the Model 45A, the control room established a connection with the operators in the field by tying their live stream setup into their offsite communication system. “It was as though they were sitting next to us, it was just that much easier,” added Halevi.

Halevi said the school recently started using the Dante enabled Model 204 Announcer’s Console and Model 45DC Intercom Interface for “productions where running long analog XLR cables is not practical.” As an example, the Model 45DC is handling broadcast commentator audio from a soccer field that’s far from their control room but still in range of the campus IT network. “It’s allowing us to do many more flexible things using Dante,” said Halevi. “We’ve produced 10 games so far with our Model 204s and 45DCs, including three broadcasts on linear TV (NESN).”

With a staff of 65 students, Halevi also noted the value of Studio Technologies’ intuitive user interfaces and durable designs. “Students are not generally known as the most careful with equipment,” Halevi joked. “Thankfully, we’ve never had a console break. Everything has always worked and sounded great.”

You might also like...

Designing IP Broadcast Systems

Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…

NDI For Broadcast: Part 3 – Bridging The Gap

This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…

Microphones: Part 2 - Design Principles

Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.

Expanding Display Capabilities And The Quest For HDR & WCG

Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.

Standards: Part 20 - ST 2110-4x Metadata Standards

Our series continues with Metadata. It is the glue that connects all your media assets to each other and steers your workflow. You cannot find content in the library or manage your creative processes without it. Metadata can also control…