Sony Promotes Venice Down Under
_789_526_70_s.jpg)
DoP Toby Oliver ACS using the Sony VENICE on The Dollhouse feature Seriously Red.
Rental companies Lemac in Australia and ImageZone in New Zealand talk about how DPs are using Sony Venice.
Lemac MD Sue Greenshields says, “Lemac was fortunate enough to be involved in testing and feedback on the first Venice prototype in Australia. That collaboration shows in unique features such as the Rialto extension system that gives unparalleled flexibility for mounting the system in almost any situation and the internal ND filter system offering a world-first 8 steps of filtration.”
Greenshields added, “Cameras have also been sold to clients for productions encompassing TVC and wildlife cinematography through to corporate production. Our rentals department has recently had up to eight camera production units at one time on the Disney Amazon series The Wilds S2. This series has recently completed production in Queensland. Bad Mothers was the first drama to shoot on Sony Venice cameras in Australia and the camera’s popularity has grown rapidly since then. It was the camera of choice recently on the impressive ABC production of Wakefield and The Dollhouse feature Seriously Red. Many other productions are also currently filming with our support on Venice in Australia. These include CJZ series Darby and Joan, Hoodlum/Stan feature film Christmas on the Farm and the ABC series Troppo.
It’s a similar story for ImageZone in New Zealand as rental manager Stephen Baker explained, “The Venice has the ability to shoot in 6K full frame, or super sample down to 4K yet still use the full frame sensor for that full frame look without the 6K files. Also, for a full frame camera it has the best off-speed capabilities, which is a big plus. The dual recording function of being able to shoot on both AXSM cards and SxS cards is another clever and practical application and both DoPs and ACs tell us having the broad range of internal NDs is a real advantage in the real world of making movies.”
He added, “One of the big questions DoPs had when the Venice first came along was if its colour science was comparable to the industry standard cameras they were familiar with. The general consensus has been yes, yes it is! Whilst it obviously has a different colour science, the feedback is that the camera has a fantastic dynamic range, rich colours and great contrast. The dual ISO ability is also something that has impressed many DOPs especially when shooting in low light environments. ACs like the easy-to-use menu system and having the ability to access functions on the AC side of the camera.”
Sony says Venice’s full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical. Almost any aspect ratio can be conjured up too: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.
You might also like...
Phil Rhodes Image Capture NAB 2025 Show Floor Report
Our resident image capture expert Phil Rhodes offers up his own personal impressions of the technology he encountered walking the halls at the 2025 NAB Show.
The DOP As Sound Recordist: 32-BIT Float Is Our Godsend
As a cinematographer with several decades of experience on feature films and large broadcast projects, my current work on smaller productions and documentaries has increasingly added the duties of a sound recordist, and with it a greater appreciation for 32-bit…
Microphones: Part 9 - The Science Of Stereo Capture & Reproduction
Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.
Monitoring & Compliance In Broadcast: Monitoring Cloud Networks
Networks, by their very definition are dispersed. But some are more dispersed than others, especially when we look at the challenges multi-site and remote teams face.
Audio At NAB 2025
Key audio themes at NAB 2025 remain persistently familiar – remote workflows, distributed teams, and ultra-efficiency… and of course AI. These themes have been around for a long time now but the audio community always seems to find very new ways of del…